...highest praise we can give this fine couplet is to say that they recall to us Shakspeare's " But look, i Such is Jasmin. Lively in imagination, warm in temperament, ardent, humorous, playful, easily made...

...are hers ; But Error wounded, writhes in pain, And dies amid her worshippers. BRTAKT. 5. But, look ! the morn in russet mantle clad, Walks o'er the dew of yon high eastern hill. Hamlet— Act 1, Sc. 1. SHAK»FEARK. . TO-DAY. 6. Look, he's winding up the watch of his wit ; by and...

...vision without direct description. These lines are not a description of dawn, any more than: But look; the morn in russet mantle clad Walks o'er the dew of yon high eastern hill. What they convey is a sensation which has the power to create different pictures in different minds....

...scenes which even hasty revision should have noticed. The versification is variahle. Lines like Look, the morn, in russet mantle clad. Walks o'er the dew of yon high eastern hill, are of the Shakespeare of Romeo and Juliet. The lines in Act v. sc. ii., Sir, in my heart there was...

...often said, 'is full of quotations', and some of these are obviously 'poetical' passages But look, the morn in russet mantle clad Walks o'er the dew of yon high eastern hill (1.1.147-8) or There is a willow grows aslant a brook That shows her hoar leaves in the glassy stream...

...FRANCISCO: (Points and looks right.) 'Tis there. BERNARDO: (Looks right.) 'Tis gone. FRANCISCO: But look, the morn in russet mantle clad Walks o'er the dew of yon high eastern hill. (On 'But look' a cut-out sun shoots up over the stage left screen, and descends here.) BERNARDO: Let...

...incongruous effect. Eliot points out that by Horatio's lyrically figurative exclamation, But look, the morn in russet mantle clad Walks o'er the dew of yon high eastward hill, "we are lifted for a moment beyond character, but with no sense of unfitness of the...

...Writings on Shakespeare, ed. Terence Hawkes (New York, i959), p. i431 home to his confine: "But look, the morn, in russet mantle clad,/ Walks o'er the dew of yon high eastward hill" (i66-67). Each of these moments has a distinct symbolic valence, and each one corresponds...

...Bones', put in Rogers. Lettsom ignored the first lieutenant and produced another quotation: ' "But look, the morn, in russet mantle clad, Walks o'er the dew of yon high eastern hill . . ." ' 'But it ain't high, Mr Lettsom, thus proving Shakespeare did not know the lie of the land...

...believe it" (I, i, 1 66), contrasts with the increased poeticism of the two that follow: "But, look, the morn, in russet mantle clad, / Walks o'er the dew of yon high eastern hill." Horatio's lyricism illuminates an instance of what Eliot theorized as "beyond character," the drama...