| Andrew Sanders - 1996 - 736 halaman
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| Elaine Shepherd - 1996 - 246 halaman
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| Richard E. Matlak - 1997 - 272 halaman
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| Stephen Bygrave - 1997 - 84 halaman
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| R. L. Brett - 1997 - 280 halaman
...brought up to be influenced by nature and will see and hear The lovely shapes and sounds intelligible Of that eternal language, which thy God Utters, who...doth teach Himself in all, and all things in himself. The importance given to nature here is clear, but the reference to God is more than perfunctory; indeed... | |
| Eveline Kilian - 1997 - 384 halaman
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| Stephen Adams - 1997 - 260 halaman
...Coleridge's "Frost at Midnight": so shall thou see and hear The lovely shapes and sounds intelligible Of that eternal language which thy God Utters, who...doth teach Himself in all, and all things in himself. Parallel syntax is often arranged in ascending sequences, a figure known as climax (technically "auxesis"... | |
| George Hughes - 1997 - 274 halaman
...distinguish between God and his Creation), but came very close in the Unitarian God of Frost at Midnight, who "from eternity doth teach / Himself in all, and all things in Himself" (1798 text, lines 66-7). Keats, though he didn't apparently know Biographia Literaria, did know Coleridge's... | |
| Kirsten Malmkjær, John Williams - 1998 - 212 halaman
...thou see and hear The lovely shapes and sounds intelligible Of that eternal language, which thy God 60 Utters, who from eternity doth teach Himself in all,...ask. Therefore all seasons shall be sweet to thee, 65 Whether the summer clothe the general earth With greenness, or the redbreast sit and sing Betwixt... | |
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