 | Leonora Leet - 2004 - 494 halaman
...were)/«*«, each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination. This power, first put in...irremissive, though gentle and unnoticed, control (laxis effertur habenis) reveals itself in the balance or reconciliation of opposite or discordant qualities:... | |
 | Peter Sharpe - 2004 - 391 halaman
...their relative worth and dignity. He diffuses a tone and spirit of unity that blends (and as it were) fuses, each into each, by that synthetic and magical power to which we have exclusively appropriated the name of imagination. This power, first put in action by the will... | |
 | T. S. Eliot - 2006 - 270 halaman
...Coleridge's famous definition of the imagination is given at the end of book XIV of Biographia Literaria: "This power, first put in action by the will and understanding,...irremissive, though gentle and unnoticed, control (*laxis effertur habenis* [it is carried onward with loose reins; Virgil, Georgics 11.364]) reveals itself... | |
 | Sonja Samberger - 2005 - 328 halaman
...according to Coleridge.366 As the latter explains, [t]his power [of what Coleridge calls 'imagination'], first put in action by the will and understanding,...under their irremissive, though gentle and unnoticed, controul (laxix effertur habenis) reveals itself in the balance or reconciliation of opposite or discordant... | |
 | Gesa Elsbeth Thiessen - 2005 - 400 halaman
...their relative worth and dignity. He diffuses a tone and spirit of unity that blends and (as it were) fuses, each into each, by that synthetic and magical power to which we have exclusively appropriated the name of imagination. This power, first put in action by the will... | |
 | Jill Line - 2006 - 192 halaman
...their relative worth and dignity. He diffuses a tone and spirit of unity that blends and, as it were, fuses each into each, by that synthetic and magical...which I would exclusively appropriate the name of Imagination.6 As Prospero, with the help of Ariel, moved the characters on his island according to... | |
 | James A. W. Heffernan - 2006 - 417 halaman
...Coleridge, who writes that a poet "diffuses a tone, and spirit of unity, that blends, and (as it were) fuses, each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination" (BL 2:16). 20. In other words, the spatial... | |
 | Thomas Docherty - 2006 - 185 halaman
...according to their relative worth and dignity. He diffuses a tone and spirit of unity that blends and fuses . . . each into each, by that synthetic and magical power to which we have exclusively appropriated the name of imagination. This power . . . reveals itself in the balance... | |
 | John S. Hatcher - 2007 - 331 halaman
...artifact, into concrete metaphor or symbol: "The power [of the 'imagination'] , first put in action of the will and understanding, and retained under their...irremissive, though gentle and unnoticed, control . . . reveals itself in the balance or reconciliation of opposite or discordant qualities: of sameness,... | |
 | Andre Furlani - 2007 - 247 halaman
...Coleridge claims that the poet "diffuses a tone and spirit of unity, that blends, and (as it were) fuses, each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination . . . [Imagination] forms all into one graceful... | |
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The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination of its faculties to each other, according to their relative worth and dignity. He diffuses a tone and spirit of unity, that blends, and (as it... 
