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" There is a wonderful insight in Heaven's broad and simple sunshine. While we give it credit only for depicting the merest surface, it actually brings out the secret character with a truth that no painter would ever venture upon, even could he detect it. "
Bentley's Miscellany - Halaman 417
diedit oleh - 1861
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The Studio and what to Do in it

Henry Peach Robinson - 1891 - 143 halaman
...of those who may not remember it. A photographer is speaking : — " ' There is a wonderful insight in Heaven's broad and simple sunshine. While we give...actually brings out the secret character with a truth no painter would ever venture upon, even could he detect it. There is at least no flattery in my humble...
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Photography Indoors and Out: A Book for Amateurs

Alexander Black - 1893 - 240 halaman
...the very sufficient reason, I fancy, is because the originals are so. There is a wonderful insight in heaven's broad and simple sunshine. While we give...is at least no flattery in my humble line of art." Daguerre died in July, 1851, after having rendered a great service to the world. The daguerreotj'pe,...
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The House of the Seven Gables

Nathaniel Hawthorne - 1899 - 374 halaman
...the very sufficient reason, I fancy, is, because the originals are so. There is a wonderful insight in Heaven's broad and simple sunshine. While we give...detect it. There is, at least, no flattery in my humble jine of art. Now, here is a likeness which I hare taken over and over again, and still with no better...
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The scarlet letter. The house of the seven gables

Nathaniel Hawthorne - 1902
...the very sufficient reason, I fancy, is, because the originals are so. There is a wonderful insight in Heaven's broad and simple sunshine. While we give...is, at least, no flattery in my humble line of art. Now, here is a likeness which I have taken over and over again, and still with no better result. Yet...
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An Introduction to the Study of Rhetoric: Lessons in Phraseology ...

Helen Josephine Robins, Agnes Frances Perkins - 1903 - 315 halaman
...something in the legend, which the rest of them were not [yet] old enough to feel [yet]. 6. While we [only] give it credit [only] for depicting the merest surface, it [actually] brings out the secret character [actually] with a truth that no painter would ever venture upon [even] could he [even] detect it. 7....
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Hawthorne's House of the Seven Gables

Nathaniel Hawthorne - 1917 - 386 halaman
...the very sufficient reason, I fancy, is, because the originals are so. There is a wonderful insight in Heaven's broad and simple sunshine. While we give...with a truth that no painter would ever venture upon, 5 even could he detect it. There is, at least, no flattery in my humble line of art. Now, here is a...
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The Living Age ..., Volume 92

1867
...there is a wonderful insight in heaven's broad and simple sunshine. While we give it credit for only depicting the merest surface, it actually brings out the secret character with a truth no painter would ever venture upon, even could he detect it.' The painter, it is true, possesses facilities...
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Novels

Nathaniel Hawthorne - 1983 - 1272 halaman
...the very sufficient reason, I fancy, is, because the originals are so. There is a wonderful insight մ ̍ 7... 荀 flatten' in my humble line of art. Now, here is a likeness which I have taken, over and over again,...
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American Romanticism and the Marketplace

Michael T. Gilmore - 2010 - 188 halaman
...engraving. Holgrave, who realizes this himself, explains to Phoebe that his photographic images bring out "the secret character with a truth that no painter...is at least no flattery in my humble line of art" (p. 91). He then shows her a daguerreotype miniature of the Judge that in the manner of the Colonel's...
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The Gold Standard and the Logic of Naturalism: American Literature at the ...

Walter Benn Michaels - 1987 - 257 halaman
...Holgrave's claim that the daguerreotype, despite its apparent preoccupation with "the merest surface," "actually brings out the secret character with a truth that no painter would ever venture upon" (91). It was, of course, far more usual for writers of the forties and fifties to make just the opposite...
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