Race and Time: American Women's Poetics from Antislavery to Racial ModernityUniversity of Iowa Press, 2004 - 336 halaman Race and Time urges our attention to women’s poetry in considering the cultural history of race. Building on close readings of well known and less familiar poets—including Elizabeth Margaret Chandler, Sarah Louisa Forten, Hannah Flagg Gould, Frances Ellen Watkins Harper, Sarah Piatt, Mary Eliza Tucker Lambert, Sarah Josepha Hale, Eliza Follen, and Mary Mapes Dodge—Gray traces tensions in women’s literary culture from the era of abolitionism to the rise of the Plantation tradition. She devotes a chapter to children’s verse, arguing that racial stereotypes work as “nonsense” that masks conflicts in the construction of white childhood. A compilation of the poems cited, most of which are difficult to find elsewhere, is included as an appendix. Gray clarifies the cultural roles women’s poetry played in the nineteenth-century United States and also reveals that these poems offer a fascinating, dynamic, and diverse field for students of social and cultural history. Gray’s readings provide a rich sense of the contexts in which this poetry is embedded and examine its aesthetic and political vitality in meticulous detail, linking careful explication of the texts with analysis of the history of poetry, canons, literacy, and literary authority. Race and Time distinguishes itself from other critical studies not only through its searching, in-depth readings but also through its sustained attention to less known poets and its departure from a Dickinson-centered model. Most significantly, it offers a focus on race, demonstrating how changes in both the U.S. racial structure and women’s place in public culture set the terms for change in how women poets envisioned the relationship between poetry and social power. Gray’s work makes contributions to several fields of study: poetry, U.S. literary history and American studies, women’s studies, African American studies and whiteness studies, children’s literature, and cultural studies. While placing the works of figures who have been treated elsewhere (e.g., Dickinson and Harper) into revealing new relationships, Race and Time does much to open interdisciplinary discussion of unfamiliar works. |
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... temporal movement of rela- tionships between selves and others. The lyric distributes traces of time through space and converts action into voice, and generalized meanings take over for individual ones. Conflict is parodied, differences ...
... Temporal Boundaries The poetics of time concerns not only how a poem reflects its contem- poraneity but how it looks back, how it remembers, what it forgets, its marking a temporal divide and reconstructing a time before. The work of ...
... temporal divide of slavery's end not as the work of white abolitionists ' “ nervous ” politics of sentimentality but as black men's entry into history as full humans . In so doing , however , he rejects the temporality of slavery as an ...
... temporal divide itself. What was it that shook us all so? There is never just one crisis of identity formation, one moment that shocks us into a reorganized image of self, and the singular construction of a historical divide organizes ...
... modernity , strategies that produce differing sequels to abolitionism and emancipation . In “ A Child's Party , ” Piatt presents a subjectivity split along the temporal divide marked by the end of slavery, a 28 INTRODUCTION.
Isi
61 | |
III POSTBELLUM | 101 |
IV OTHER TIMESChildhood and Nonsense | 183 |
Poems Cited | 235 |
Notes | 293 |
Works Cited | 311 |
Index | 321 |
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Race and Time: American Women's Poetics from Antislavery to Racial Modernity Janet Gray Tampilan cuplikan - 2004 |