Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... relationship with other texts, tracing and activating the networks of association that we have been describing. As Genette observes: 'one who really loves texts must wish from time to time to love (at least) two together' (1997 [1982]: ...
... relationship with other texts, tracing and activating the networks of association that we have been describing. As Genette observes: 'one who really loves texts must wish from time to time to love (at least) two together' (1997 [1982]: ...
Halaman
... relationships between texts, relationships which encourage contrast and comparison. As the close readings conducted here underscore, this is exactly what an aesthetic and historicized critical study of adaptation is concerned with ...
... relationships between texts, relationships which encourage contrast and comparison. As the close readings conducted here underscore, this is exactly what an aesthetic and historicized critical study of adaptation is concerned with ...
Halaman
... relationship between tradition and the individual talent is one shared by writers producing work from feminist, gay and lesbian, and postcolonial subject-positions. A further theorist of literature's relationship to its own past whose ...
... relationship between tradition and the individual talent is one shared by writers producing work from feminist, gay and lesbian, and postcolonial subject-positions. A further theorist of literature's relationship to its own past whose ...
Halaman
... relationship to jazz deserves notice. As James Andreas Sr acknowledges, 'To signify in African and African-American cultures is to improvise upon a given topos, narrative, or joke the way a jazz musician improvises on a progression of ...
... relationship to jazz deserves notice. As James Andreas Sr acknowledges, 'To signify in African and African-American cultures is to improvise upon a given topos, narrative, or joke the way a jazz musician improvises on a progression of ...
Halaman
... relationships between text and hypertext, source and appropriation, than those labels at present enable. In these phrases the relationship is often viewed as linear and reductive; the appropriation is always in the secondary, belated ...
... relationships between text and hypertext, source and appropriation, than those labels at present enable. In these phrases the relationship is often viewed as linear and reductive; the appropriation is always in the secondary, belated ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontë’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing