Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
Dari dalam buku
Hasil 6-10 dari 73
Halaman
... literary criticism as a scholarly pursuit. The literary, media or cultural studies academic or student reads or watches many 'texts' (and for 'texts' here read alternately: films, creations, compositions, events and performances) ...
... literary criticism as a scholarly pursuit. The literary, media or cultural studies academic or student reads or watches many 'texts' (and for 'texts' here read alternately: films, creations, compositions, events and performances) ...
Halaman
... literary sphere, Roland Barthes declared that 'any text is an intertext' (1981: 39), suggesting that the works of previous and surrounding cultures are always present in literature. Barthes also highlighted the ways in which texts were ...
... literary sphere, Roland Barthes declared that 'any text is an intertext' (1981: 39), suggesting that the works of previous and surrounding cultures are always present in literature. Barthes also highlighted the ways in which texts were ...
Halaman
... Literary texts 'are built from systems, codes and traditions established by previous works of literature' (Allen 2000: 1). But they are also built from systems, codes and traditions derived from companion art forms and media. If ...
... Literary texts 'are built from systems, codes and traditions established by previous works of literature' (Allen 2000: 1). But they are also built from systems, codes and traditions derived from companion art forms and media. If ...
Halaman
... literary text can be 'inhabited ... by a long chain of parasitical presences, echoes, allusions, guests, ghosts of previous texts' (Gilbert and Gubar 2000 [1979]: 46). This volume concerns itself, at various turns with these textual ...
... literary text can be 'inhabited ... by a long chain of parasitical presences, echoes, allusions, guests, ghosts of previous texts' (Gilbert and Gubar 2000 [1979]: 46). This volume concerns itself, at various turns with these textual ...
Halaman
... literary context to those texts that assemble a range of quotations, allusions and citations from an often diverse range of existent works of art. A parallel form in fine art is the creation of collage by assembling found items to ...
... literary context to those texts that assemble a range of quotations, allusions and citations from an often diverse range of existent works of art. A parallel form in fine art is the creation of collage by assembling found items to ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
Edisi yang lain - Lihat semua
Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontë’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing