Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... example, of a significant industry in global Shakespeare over recent decades – translation theory must come into play, but it is, perhaps, to these more embracing and inclusive ideas of the creative translator that Basnett invokes, from ...
... example, of a significant industry in global Shakespeare over recent decades – translation theory must come into play, but it is, perhaps, to these more embracing and inclusive ideas of the creative translator that Basnett invokes, from ...
Halaman
... example, the impact of the classics on early modern writers such as Shakespeare (Bate 1993), and acknowledging a strong female presence within the communities of influence (Gilbert and Gubar 2000 [1979]). Nevertheless, Bloom's central ...
... example, the impact of the classics on early modern writers such as Shakespeare (Bate 1993), and acknowledging a strong female presence within the communities of influence (Gilbert and Gubar 2000 [1979]). Nevertheless, Bloom's central ...
Halaman
... example of jazz on several occasions, and of musicology on several more. But the specific relevance to African-American writing of 'signifying' and its relationship to jazz deserves notice. As James Andreas Sr acknowledges, 'To signify ...
... example of jazz on several occasions, and of musicology on several more. But the specific relevance to African-American writing of 'signifying' and its relationship to jazz deserves notice. As James Andreas Sr acknowledges, 'To signify ...
Halaman
... examples from literature, art and music, made her case, in essays such as 'The Bounded Text' (1980) and 'Word, Dialogue and Novel' (1986), that all texts invoke and rework other texts in a rich and ever-evolving cultural mosaic. The ...
... examples from literature, art and music, made her case, in essays such as 'The Bounded Text' (1980) and 'Word, Dialogue and Novel' (1986), that all texts invoke and rework other texts in a rich and ever-evolving cultural mosaic. The ...
Halaman
... example, Deppman et al. 2004 on 'genetic criticism'). Adaptation is nevertheless frequently involved in offering commentary on a source text. This is achieved most often by offering a revised point of view from the 'original', adding ...
... example, Deppman et al. 2004 on 'genetic criticism'). Adaptation is nevertheless frequently involved in offering commentary on a source text. This is achieved most often by offering a revised point of view from the 'original', adding ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontë’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing