Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... edition. pages cm Includes bibliographical references and index. 1. Literature–Adaptations. I. Title. PN171.A33S26 2015 801–dc23 2015023188 ISBN: 978-1-138-82898-8 (hbk) ISBN: 978-1-138-82899-5 (pbk) ISBN: 978-1-315-73794-2 (ebk) DOI ...
... edition. pages cm Includes bibliographical references and index. 1. Literature–Adaptations. I. Title. PN171.A33S26 2015 801–dc23 2015023188 ISBN: 978-1-138-82898-8 (hbk) ISBN: 978-1-138-82899-5 (pbk) ISBN: 978-1-315-73794-2 (ebk) DOI ...
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... and will introduce examples from the area of film and the modern media in addition to examples from a variety of literary texts. ACKNOWLEDGEMENTS FIRST EDITION As this volume evidences, few stories or Series editor's preface.
... and will introduce examples from the area of film and the modern media in addition to examples from a variety of literary texts. ACKNOWLEDGEMENTS FIRST EDITION As this volume evidences, few stories or Series editor's preface.
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Julie Sanders. ACKNOWLEDGEMENTS. FIRST. EDITION. As this volume evidences, few stories or books ever stand alone and with ... EDITION. My thanks to Routledge and to Ruth Hilsdon and John Drakakis for the opportunity to reflect on and adapt my ...
Julie Sanders. ACKNOWLEDGEMENTS. FIRST. EDITION. As this volume evidences, few stories or books ever stand alone and with ... EDITION. My thanks to Routledge and to Ruth Hilsdon and John Drakakis for the opportunity to reflect on and adapt my ...
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... edition and took the time to get in touch. Only connect. Some things, though, despite inevitable change and despite the new versions of older arguments presented here, thankfully remain the same. John is still there making sense of it ...
... edition and took the time to get in touch. Only connect. Some things, though, despite inevitable change and despite the new versions of older arguments presented here, thankfully remain the same. John is still there making sense of it ...
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontë’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing