Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... on and adapt my own critical work ten years hence. In the intervening decade I have benefited hugely from the engagement of readers with this book and from the opportunity to present and refine research in a Acknowledgements.
... on and adapt my own critical work ten years hence. In the intervening decade I have benefited hugely from the engagement of readers with this book and from the opportunity to present and refine research in a Acknowledgements.
Halaman
... critical writings, delineating the multifarious ways in which a literary text can be 'inhabited ... by a long chain of parasitical presences, echoes, allusions, guests, ghosts of previous texts' (Gilbert and Gubar 2000 [1979]: 46). This ...
... critical writings, delineating the multifarious ways in which a literary text can be 'inhabited ... by a long chain of parasitical presences, echoes, allusions, guests, ghosts of previous texts' (Gilbert and Gubar 2000 [1979]: 46). This ...
Halaman
Julie Sanders. deferential or critical, supportive or questioning; it depends on the context in which the quotation takes place. Citation, however, presumes a more deferential relationship; it is frequently self-authenticating, even ...
Julie Sanders. deferential or critical, supportive or questioning; it depends on the context in which the quotation takes place. Citation, however, presumes a more deferential relationship; it is frequently self-authenticating, even ...
Halaman
... critical study of adaptation is concerned with. Eliot's essay has sometimes been attacked on the grounds that it assumes a stable literary canon, a series of validated texts that are (re)turned to and consulted by subsequent ages ...
... critical study of adaptation is concerned with. Eliot's essay has sometimes been attacked on the grounds that it assumes a stable literary canon, a series of validated texts that are (re)turned to and consulted by subsequent ages ...
Halaman
... critical direction ... We need to know the writing of the past and know it differently than we have ever known it; not to pass on a tradition but to break its hold over us' (Rich 1992 [1971]: 369). The suggestion is in some sense ...
... critical direction ... We need to know the writing of the past and know it differently than we have ever known it; not to pass on a tradition but to break its hold over us' (Rich 1992 [1971]: 369). The suggestion is in some sense ...
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontë’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing