Shakespeare's Comedy of LoveRoutledge, 11 Okt 2013 - 288 halaman First published in 1987. |
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Halaman 11
... iii . 1-11 ) The prosaic , day - to - day business of a commercial town becomes something strange and dreamlike ... ( II. ii . 211-15 ) But this surrender is still somewhat tentative ; he offers himself to Luciana more recklessly : ' Are ...
... iii . 1-11 ) The prosaic , day - to - day business of a commercial town becomes something strange and dreamlike ... ( II. ii . 211-15 ) But this surrender is still somewhat tentative ; he offers himself to Luciana more recklessly : ' Are ...
Halaman 12
... ( III . ii . 29-36 ) But the comic disparity between Luciana as we see her and the lover's special vision , though clear enough , is less drastic than it might have been . The alternate rhyme they both use gives a heightened , formal ...
... ( III . ii . 29-36 ) But the comic disparity between Luciana as we see her and the lover's special vision , though clear enough , is less drastic than it might have been . The alternate rhyme they both use gives a heightened , formal ...
Halaman 13
... ii . 31- 46 ; iv . iii . 12-18 ) . ( His brother , characteristically , spins smaller fantasies out of the more prosaic business of being beaten - II . i . 82-5 ; IV . iv . 26-37 . ) And while Antipholus is eager to surrender himself to ...
... ii . 31- 46 ; iv . iii . 12-18 ) . ( His brother , characteristically , spins smaller fantasies out of the more prosaic business of being beaten - II . i . 82-5 ; IV . iv . 26-37 . ) And while Antipholus is eager to surrender himself to ...
Halaman 18
... ii . 63-107 ) , and on the respective merits of cheer and welcome ( III . i . 19-29 ) ; or Dromio of Syracuse's grand description of the fat kitchen wench in terms of European geography ( m . ii . 113-37 ) . And the play presents a ...
... ii . 63-107 ) , and on the respective merits of cheer and welcome ( III . i . 19-29 ) ; or Dromio of Syracuse's grand description of the fat kitchen wench in terms of European geography ( m . ii . 113-37 ) . And the play presents a ...
Halaman
... (II. iv. 199–202) There is a touch here of the cold legalism of Ephesus. And ... (II. vi. 19–24) The clever rhetorical balancing reveals a coldness at the heart. We ... (III. i. 96–101) But, as I have argued, this attempt at worldliness (like.
... (II. iv. 199–202) There is a touch here of the cold legalism of Ephesus. And ... (II. vi. 19–24) The clever rhetorical balancing reveals a coldness at the heart. We ... (III. i. 96–101) But, as I have argued, this attempt at worldliness (like.
Isi
6 | |
9 | |
10 | |
21 | |
The Taming of the Shrew | 41 |
Loves Labours Lost | 63 |
A Midsummer Nights Dream | 89 |
The Merchant of Venice | 117 |
Much Ado About Nothing | 151 |
As You Like It | 185 |
Twelfth Night | 221 |
beyond Twelfth Night | 255 |
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Istilah dan frasa umum
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense serious Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision