The Personality of Shakespeare: A Venture in Psychological MethodYale University Press, 1953 - 243 halaman First of all, as the title indicates, I am concerned with exploring a method. This method derives from the theory of personality projection. It is quantitative in part, but its operation depends, as everything in science does, upon a human observer and assessor. With regard to the personality of Shakespeare, I should like to make it plain that I have not attempted to be comprehensive and final. I do not see how we can be comprehensive and final with regard to any personality. Here, in studying Shakespeare, I have been deliberately fragmentary, limiting myself to a mere handful of questions. In particular, I have not tried to analyze the plays as artistic wholes in their entire complexity, but have only traced out a few general characteristics and a few patterns, which I have called "themes," occurring in more than one play. My analysis has focused on the dramatis personae and their interrelations. - Preface. |
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... turn of the century and the better - known elaboration of it in Ernest Jones ' article " The Oedipus Complex as an Explanation of Hamlet's Mystery " in 1910 were calculated to disturb the sensibilities of scholars brought up in ...
... turn of the century and the better - known elaboration of it in Ernest Jones ' article " The Oedipus Complex as an Explanation of Hamlet's Mystery " in 1910 were calculated to disturb the sensibilities of scholars brought up in ...
Halaman 41
... turn , becomes a forgiver ; that is , the reaction to injury continues to take the form of action of a real kind , but it is an order of action different from what initiated it and revises the relation- ship entirely . This transcending ...
... turn , becomes a forgiver ; that is , the reaction to injury continues to take the form of action of a real kind , but it is an order of action different from what initiated it and revises the relation- ship entirely . This transcending ...
Halaman 136
... turn and wind a fiery Pegasus And witch the world with noble horsemanship . ( I HIV , IV , 1 , 109 ff . ) But it is no more than a trace , and one has to strain to see it . The address of the prince in which , after inheriting the crown ...
... turn and wind a fiery Pegasus And witch the world with noble horsemanship . ( I HIV , IV , 1 , 109 ff . ) But it is no more than a trace , and one has to strain to see it . The address of the prince in which , after inheriting the crown ...
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PREFACE | 1 |
On Some Questions of Theory and Method | 15 |
AWEW Alls Well That Ends Well | 42 |
Hak Cipta | |
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The Personality of Shakespeare: A Venture in Psychological Method Harold Grier McCurdy Tampilan cuplikan - 1953 |
Istilah dan frasa umum
action actors analysis Antipholus Antonio appear Ariel average behavior Benedick betrayal Caliban Camillo cent character weights Charlotte Brontë child Claudio Cloten comedy complex conscious Coriolanus count curve Cymbeline daughter death dramatic dream Duke emotional evidence example fact Falstaff father Freud Gentlemen of Verona Gloucester Hamlet Henry Henry IV Hermione Hero human husband Iachimo Iago imagination Imogen interpretation introjected Juliet kill kind King Lear Leontes literary lover weight Macbeth male Mamillius Marlowe ment Midsummer Night's Dream mother murder nature object Oedipus complex Othello perhaps Pericles plays Polixenes Polonius possible Posthumus present problem Prospero Proteus psychoanalytic psychological psychologists queen regard relations relationship Romeo sexual Shake Shakespeare Shakespeare's personality soul speak speare speare's Speech Lines story Stratford Table Tempest thee theme theory thou Timon tion top character top-ranking character traits Troilus Vincentio wife William Shakespeare Winter's Tale