The Personality of Shakespeare: A Venture in Psychological MethodYale University Press, 1953 - 243 halaman First of all, as the title indicates, I am concerned with exploring a method. This method derives from the theory of personality projection. It is quantitative in part, but its operation depends, as everything in science does, upon a human observer and assessor. With regard to the personality of Shakespeare, I should like to make it plain that I have not attempted to be comprehensive and final. I do not see how we can be comprehensive and final with regard to any personality. Here, in studying Shakespeare, I have been deliberately fragmentary, limiting myself to a mere handful of questions. In particular, I have not tried to analyze the plays as artistic wholes in their entire complexity, but have only traced out a few general characteristics and a few patterns, which I have called "themes," occurring in more than one play. My analysis has focused on the dramatis personae and their interrelations. - Preface. |
Dari dalam buku
Hasil 1-3 dari 32
Halaman 29
... true in one case , it might be true in all . We do not know that it is true , because even after lengthy examination many dreams retain a residue of the nonhistorical . But those cases which finally yield up their identity to our ...
... true in one case , it might be true in all . We do not know that it is true , because even after lengthy examination many dreams retain a residue of the nonhistorical . But those cases which finally yield up their identity to our ...
Halaman 95
... true that in our day - by - day experience the most constant feature of the whole complicated mass is what we call ourselves ; true that in the natural direct way of telling about events this constant gives center and meaning to them ; and ...
... true that in our day - by - day experience the most constant feature of the whole complicated mass is what we call ourselves ; true that in the natural direct way of telling about events this constant gives center and meaning to them ; and ...
Halaman 153
... true son , Edgar , and a bastard , Edmund . The bastard tricks his father into believing that the true son is plotting to take the father's life . Edgar therefore has to flee ; but eventually he is able to render essential service to ...
... true son , Edgar , and a bastard , Edmund . The bastard tricks his father into believing that the true son is plotting to take the father's life . Edgar therefore has to flee ; but eventually he is able to render essential service to ...
Isi
PREFACE | 1 |
On Some Questions of Theory and Method | 15 |
AWEW Alls Well That Ends Well | 42 |
Hak Cipta | |
13 bagian lainnya tidak diperlihatkan
Edisi yang lain - Lihat semua
The Personality of Shakespeare: A Venture in Psychological Method Harold Grier McCurdy Tampilan cuplikan - 1953 |
Istilah dan frasa umum
action actors analysis Antipholus Antonio appear Ariel average behavior Benedick betrayal Caliban Camillo cent character weights Charlotte Brontë child Claudio Cloten comedy complex conscious Coriolanus count curve Cymbeline daughter death dramatic dream Duke emotional evidence example fact Falstaff father Freud Gentlemen of Verona Gloucester Hamlet Henry Henry IV Hermione Hero human husband Iachimo Iago imagination Imogen interpretation introjected Juliet kill kind King Lear Leontes literary lover weight Macbeth male Mamillius Marlowe ment Midsummer Night's Dream mother murder nature object Oedipus complex Othello perhaps Pericles plays Polixenes Polonius possible Posthumus present problem Prospero Proteus psychoanalytic psychological psychologists queen regard relations relationship Romeo sexual Shake Shakespeare Shakespeare's personality soul speak speare speare's Speech Lines story Stratford Table Tempest thee theme theory thou Timon tion top character top-ranking character traits Troilus Vincentio wife William Shakespeare Winter's Tale