The Personality of Shakespeare: A Venture in Psychological MethodYale University Press, 1953 - 243 halaman First of all, as the title indicates, I am concerned with exploring a method. This method derives from the theory of personality projection. It is quantitative in part, but its operation depends, as everything in science does, upon a human observer and assessor. With regard to the personality of Shakespeare, I should like to make it plain that I have not attempted to be comprehensive and final. I do not see how we can be comprehensive and final with regard to any personality. Here, in studying Shakespeare, I have been deliberately fragmentary, limiting myself to a mere handful of questions. In particular, I have not tried to analyze the plays as artistic wholes in their entire complexity, but have only traced out a few general characteristics and a few patterns, which I have called "themes," occurring in more than one play. My analysis has focused on the dramatis personae and their interrelations. - Preface. |
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Halaman 36
... accept the notion of action at a distance as a part of his gravitational theory , he concluded that the order was ... accepting McDougall's view on this point extends also to some remarks made by Klein and Fairbairn . Both McDougall's ...
... accept the notion of action at a distance as a part of his gravitational theory , he concluded that the order was ... accepting McDougall's view on this point extends also to some remarks made by Klein and Fairbairn . Both McDougall's ...
Halaman 48
... accepted . It should be noted that there is actually a high order of agreement among modern scholars . For example , if the sequence of the plays as given by Chambers is compared with that given by G. B. Harri- son in 1947 in his ...
... accepted . It should be noted that there is actually a high order of agreement among modern scholars . For example , if the sequence of the plays as given by Chambers is compared with that given by G. B. Harri- son in 1947 in his ...
Halaman 139
... accepting the trend as not due to accident . This particular decline harmonizes with the results of the qualitative ... accept the spiritual loveliness of the heroines Viola , Helena , and Imogen as tangentially indica- tive of what ...
... accepting the trend as not due to accident . This particular decline harmonizes with the results of the qualitative ... accept the spiritual loveliness of the heroines Viola , Helena , and Imogen as tangentially indica- tive of what ...
Isi
PREFACE | 1 |
On Some Questions of Theory and Method | 15 |
AWEW Alls Well That Ends Well | 42 |
Hak Cipta | |
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The Personality of Shakespeare: A Venture in Psychological Method Harold Grier McCurdy Tampilan cuplikan - 1953 |
Istilah dan frasa umum
action actors analysis Antipholus Antonio appear Ariel average behavior Benedick betrayal Caliban Camillo cent character weights Charlotte Brontë child Claudio Cloten comedy complex conscious Coriolanus count curve Cymbeline daughter death dramatic dream Duke emotional evidence example fact Falstaff father Freud Gentlemen of Verona Gloucester Hamlet Henry Henry IV Hermione Hero human husband Iachimo Iago imagination Imogen interpretation introjected Juliet kill kind King Lear Leontes literary lover weight Macbeth male Mamillius Marlowe ment Midsummer Night's Dream mother murder nature object Oedipus complex Othello perhaps Pericles plays Polixenes Polonius possible Posthumus present problem Prospero Proteus psychoanalytic psychological psychologists queen regard relations relationship Romeo sexual Shake Shakespeare Shakespeare's personality soul speak speare speare's Speech Lines story Stratford Table Tempest thee theme theory thou Timon tion top character top-ranking character traits Troilus Vincentio wife William Shakespeare Winter's Tale