The Personality of Shakespeare: A Venture in Psychological MethodYale University Press, 1953 - 243 halaman First of all, as the title indicates, I am concerned with exploring a method. This method derives from the theory of personality projection. It is quantitative in part, but its operation depends, as everything in science does, upon a human observer and assessor. With regard to the personality of Shakespeare, I should like to make it plain that I have not attempted to be comprehensive and final. I do not see how we can be comprehensive and final with regard to any personality. Here, in studying Shakespeare, I have been deliberately fragmentary, limiting myself to a mere handful of questions. In particular, I have not tried to analyze the plays as artistic wholes in their entire complexity, but have only traced out a few general characteristics and a few patterns, which I have called "themes," occurring in more than one play. My analysis has focused on the dramatis personae and their interrelations. - Preface. |
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... LEAR 1602-3 1604-5 1604-5 1605-6 Speech Lines ( equal 100 per cent ) 473 847 Helena Duke 1061 Iago 682 K. Lear Per Cent of Above 80 50 80 56 King Isabella 54 THE PERSONALITY OF SHAKESPEARE King Lear Love's Labour's Lost Macbeth MAAN ...
... LEAR 1602-3 1604-5 1604-5 1605-6 Speech Lines ( equal 100 per cent ) 473 847 Helena Duke 1061 Iago 682 K. Lear Per Cent of Above 80 50 80 56 King Isabella 54 THE PERSONALITY OF SHAKESPEARE King Lear Love's Labour's Lost Macbeth MAAN ...
Halaman 127
... Lear the father - daughter theme is central , and pathetic . Once again , at the beginning of the play , the tyrannical old father is confronted by a spirited , plain - spoken daughter ; he rebukes her and disinherits her ; and her ...
... Lear the father - daughter theme is central , and pathetic . Once again , at the beginning of the play , the tyrannical old father is confronted by a spirited , plain - spoken daughter ; he rebukes her and disinherits her ; and her ...
Halaman 158
... Lear as the beginning of the second phase in the father - daughter relationship . When the division is made there , it turns out that the weights of fathers of daughters in Lear and the four plays following are quite decidedly higher ...
... Lear as the beginning of the second phase in the father - daughter relationship . When the division is made there , it turns out that the weights of fathers of daughters in Lear and the four plays following are quite decidedly higher ...
Isi
PREFACE | 1 |
On Some Questions of Theory and Method | 15 |
AWEW Alls Well That Ends Well | 42 |
Hak Cipta | |
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The Personality of Shakespeare: A Venture in Psychological Method Harold Grier McCurdy Tampilan cuplikan - 1953 |
Istilah dan frasa umum
action actors analysis Antipholus Antonio appear Ariel average behavior Benedick betrayal Caliban Camillo cent character weights Charlotte Brontë child Claudio Cloten comedy complex conscious Coriolanus count curve Cymbeline daughter death dramatic dream Duke emotional evidence example fact Falstaff father Freud Gentlemen of Verona Gloucester Hamlet Henry Henry IV Hermione Hero human husband Iachimo Iago imagination Imogen interpretation introjected Juliet kill kind King Lear Leontes literary lover weight Macbeth male Mamillius Marlowe ment Midsummer Night's Dream mother murder nature object Oedipus complex Othello perhaps Pericles plays Polixenes Polonius possible Posthumus present problem Prospero Proteus psychoanalytic psychological psychologists queen regard relations relationship Romeo sexual Shake Shakespeare Shakespeare's personality soul speak speare speare's Speech Lines story Stratford Table Tempest thee theme theory thou Timon tion top character top-ranking character traits Troilus Vincentio wife William Shakespeare Winter's Tale