Playing Shakespeare: An Actor's GuideKnopf Doubleday Publishing Group, 1984 - 288 halaman Playing Shakespeare is the premier guide to understanding and appreciating the mastery of the world’s greatest playwright. Together with Royal Shakespeare Company actors–among them Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet–John Barton demonstrates how to adapt Elizabethan theater for the modern stage. The director begins by explicating Shakespeare’s verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare’s most controversial creation, Shylock, from The Merchant of Venice. A practical and essential guide, Playing Shakespeare will stand for years as the authoritative favorite among actors, scholars, teachers, and students. |
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Halaman 227
... theater , but tell us what it is about the theater which keeps your adrenaline running ? You're asking me about things for which I never had any urge or capacity . The most important thing I learned painfully at Cambridge was that I had ...
... theater , but tell us what it is about the theater which keeps your adrenaline running ? You're asking me about things for which I never had any urge or capacity . The most important thing I learned painfully at Cambridge was that I had ...
Halaman 230
... theater so often in his plays . Often when a character is at the peak of his emotional prob- lems he compares himself with an actor : " struts and frets his hour upon the stage . " This has a wonderful resonance for an audience ...
... theater so often in his plays . Often when a character is at the peak of his emotional prob- lems he compares himself with an actor : " struts and frets his hour upon the stage . " This has a wonderful resonance for an audience ...
Halaman 232
... theater or actors in the eighteenth century and nineteenth century experienced in their large theaters . We are so often controlled by the building we perform in . When a theater is big it takes over and transforms us and becomes our ...
... theater or actors in the eighteenth century and nineteenth century experienced in their large theaters . We are so often controlled by the building we perform in . When a theater is big it takes over and transforms us and becomes our ...
Isi
The Two Traditions Elizabethan and Modern Acting | 3 |
Using the Verse Heightened and Naturalistic Verse | 27 |
Language and Character Making the Words Ones Own | 56 |
Hak Cipta | |
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Istilah dan frasa umum
actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character COSTARD course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotional example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause Peggy Ashcroft perhaps Playing Shakespeare poetic poetry PORTIA prose question rehearsal rhythm Richard Pasco Roger Rees scene sense Shake Shakespeare's text Sheila Hancock Shylock soliloquy sonnet sooth I know sounds speak speare strong stresses talking tell theater thee there's thing thou thought Tony Church Troilus Tubal verse line verse-line VIOLA words
Buku ini dirujuk
Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video Lynda E. Boose,Richard Burt Pratinjau tidak tersedia - 1997 |