Playing Shakespeare: An Actor's GuideKnopf Doubleday Publishing Group, 1984 - 288 halaman Playing Shakespeare is the premier guide to understanding and appreciating the mastery of the world’s greatest playwright. Together with Royal Shakespeare Company actors–among them Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet–John Barton demonstrates how to adapt Elizabethan theater for the modern stage. The director begins by explicating Shakespeare’s verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare’s most controversial creation, Shylock, from The Merchant of Venice. A practical and essential guide, Playing Shakespeare will stand for years as the authoritative favorite among actors, scholars, teachers, and students. |
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Halaman 4
... seems a bit simple and limited at first , but if you live with it you will find that it begins to resonate and to ... seem to us the most important at this time . Another actor or another director would rightly stress things differently ...
... seems a bit simple and limited at first , but if you live with it you will find that it begins to resonate and to ... seem to us the most important at this time . Another actor or another director would rightly stress things differently ...
Halaman 176
... seems to me very emotional again here . Yet there's also some- thing of the rationalizing and self - deception and elevation of murder which we saw in the first soliloquy . He's at great pains to stress his humanity . But how much is he ...
... seems to me very emotional again here . Yet there's also some- thing of the rationalizing and self - deception and elevation of murder which we saw in the first soliloquy . He's at great pains to stress his humanity . But how much is he ...
Halaman 238
... seems in some way released . In Troilus and Cres- sida he seems almost to exult in the character of Thersites , who rel- ishes the violence and lechery in the play . But of course this begs the question of whether Shakespeare iden ...
... seems in some way released . In Troilus and Cres- sida he seems almost to exult in the character of Thersites , who rel- ishes the violence and lechery in the play . But of course this begs the question of whether Shakespeare iden ...
Isi
The Two Traditions Elizabethan and Modern Acting | 3 |
Using the Verse Heightened and Naturalistic Verse | 27 |
Language and Character Making the Words Ones Own | 56 |
Hak Cipta | |
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Istilah dan frasa umum
actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character COSTARD course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotional example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause Peggy Ashcroft perhaps Playing Shakespeare poetic poetry PORTIA prose question rehearsal rhythm Richard Pasco Roger Rees scene sense Shake Shakespeare's text Sheila Hancock Shylock soliloquy sonnet sooth I know sounds speak speare strong stresses talking tell theater thee there's thing thou thought Tony Church Troilus Tubal verse line verse-line VIOLA words
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Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video Lynda E. Boose,Richard Burt Pratinjau tidak tersedia - 1997 |