Playing Shakespeare: An Actor's GuideNow in its first American edition, Playing Shakespeare is the premier guide to understanding and appreciating the mastery of the world's greatest playwright. Together with Royal Shakespeare Company actors–among them Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet–John Barton demonstrates how to adapt Elizabethan theater for the modern stage. The director begins by explicating Shakespeare's verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare's most controversial creation, Shylock, from The Merchant of Venice. A practical and essential guide, Playing Shakespeare will stand for years as the authoritative favorite among actors, scholars, teachers, and students. |
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Halaman 91
Or is there a reason behind it which might be helpful for an actor to know about ? I think there's always a specific reason in a given instance , though it's almost impossible to define it or make general rules about it .
Or is there a reason behind it which might be helpful for an actor to know about ? I think there's always a specific reason in a given instance , though it's almost impossible to define it or make general rules about it .
Halaman 112
MARCUS ( John Barton ) : But yet let reason govern thy lament . TITUS : If there were reason for these miseries , Then into limits could I bind my woes : When heaven doth weep , doth not the earth o'erflow ? If the winds rage , doth not ...
MARCUS ( John Barton ) : But yet let reason govern thy lament . TITUS : If there were reason for these miseries , Then into limits could I bind my woes : When heaven doth weep , doth not the earth o'erflow ? If the winds rage , doth not ...
Halaman 172
... Past reason hunted ; and no sooner had , Past reason hated , as a swallow'd bait On purpose laid to make the taker mad , Mad in pursuit , and in possession so , Had , having , and in quest to have , extreme ; A bliss in proof ...
... Past reason hunted ; and no sooner had , Past reason hated , as a swallow'd bait On purpose laid to make the taker mad , Mad in pursuit , and in possession so , Had , having , and in quest to have , extreme ; A bliss in proof ...
Apa yang dikatakan orang - Tulis resensi
Playing Shakespeare: an actor's guide
Ulasan Pengguna - Not Available - Book VerdictWalking the boards in a play by the Bard can be one of the most rewarding and frightening experiences of an actor's life. Drawing on 35 years' experience as associate director of the Royal Shakespeare ... Baca ulasan lengkap
Isi
The Two Traditions Elizabethan and Modern Acting | 3 |
Using the Verse Heightened and Naturalistic Verse | 27 |
Language and Character Making the Words Ones Own | 56 |
Hak Cipta | |
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Istilah dan frasa umum
acting actor actually Antonio audience balance become beginning believe better break Caesar called changes character clear comes course David Suchet death director don't doth easy Elizabethan emotional example eyes feel follow give goes happens hath hear heart heightened Henry hold Ian McKellen important intention irony it's John kind King language Let's Lisa Harrow listen live look mean mind moved naturalistic nature never once ORSINO passage passion Patrick Stewart pause performance perhaps play poetry prose question reason rehearsal rhythm Richard scene seems sense Shake Shakespeare Shylock situation soliloquy sometimes sonnet sounds speak speech stand stress strong sure talking tell That's theater thee there's thing thou thought tradition true verse VIOLA whole words wrong
Buku ini dirujuk
Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video Lynda E. Boose,Richard Burt Pratinjau tidak tersedia - 1997 |