Playing Shakespeare: An Actor's GuideKnopf Doubleday Publishing Group, 1984 - 288 halaman Playing Shakespeare is the premier guide to understanding and appreciating the mastery of the world’s greatest playwright. Together with Royal Shakespeare Company actors–among them Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet–John Barton demonstrates how to adapt Elizabethan theater for the modern stage. The director begins by explicating Shakespeare’s verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare’s most controversial creation, Shylock, from The Merchant of Venice. A practical and essential guide, Playing Shakespeare will stand for years as the authoritative favorite among actors, scholars, teachers, and students. |
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Halaman 71
... perhaps all , heightened speeches which we come to look at . Roger Rees : Everything you've said so far has been about language . But we haven't talked at all about character . Isn't it dangerous to split the two ? Yes , it is , because ...
... perhaps all , heightened speeches which we come to look at . Roger Rees : Everything you've said so far has been about language . But we haven't talked at all about character . Isn't it dangerous to split the two ? Yes , it is , because ...
Halaman 199
... Perhaps Shakespeare deliberately built in a bit of comedy by writing in a pause there after the short line " Like the old age . But let me say one thing about the song . Its nature is of course described by Orsino himself : it is " old ...
... Perhaps Shakespeare deliberately built in a bit of comedy by writing in a pause there after the short line " Like the old age . But let me say one thing about the song . Its nature is of course described by Orsino himself : it is " old ...
Halaman 209
... perhaps there is , Hath for your love as great a pang of heart As you have for Olivia . You cannot love her . You tell her so . Must she not then be answered ? ( Pause . ) ORSINO : There is no woman's sides Can bide the beating of so ...
... perhaps there is , Hath for your love as great a pang of heart As you have for Olivia . You cannot love her . You tell her so . Must she not then be answered ? ( Pause . ) ORSINO : There is no woman's sides Can bide the beating of so ...
Isi
The Two Traditions Elizabethan and Modern Acting | 3 |
Using the Verse Heightened and Naturalistic Verse | 27 |
Language and Character Making the Words Ones Own | 56 |
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Istilah dan frasa umum
actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character COSTARD course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotional example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause Peggy Ashcroft perhaps Playing Shakespeare poetic poetry PORTIA prose question rehearsal rhythm Richard Pasco Roger Rees scene sense Shake Shakespeare's text Sheila Hancock Shylock soliloquy sonnet sooth I know sounds speak speare strong stresses talking tell theater thee there's thing thou thought Tony Church Troilus Tubal verse line verse-line VIOLA words
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