Playing Shakespeare: An Actor's GuideNow in its first American edition, Playing Shakespeare is the premier guide to understanding and appreciating the mastery of the world's greatest playwright. Together with Royal Shakespeare Company actors–among them Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet–John Barton demonstrates how to adapt Elizabethan theater for the modern stage. The director begins by explicating Shakespeare's verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare's most controversial creation, Shylock, from The Merchant of Venice. A practical and essential guide, Playing Shakespeare will stand for years as the authoritative favorite among actors, scholars, teachers, and students. |
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Halaman 173
goes for passion only he will almost certainly be overlaying something on top of that text . “ Experience ” is , I think , the word that best sums up and brings together this mixture of thought and emotion which we're after .
goes for passion only he will almost certainly be overlaying something on top of that text . “ Experience ” is , I think , the word that best sums up and brings together this mixture of thought and emotion which we're after .
Halaman 177
There's no doubt here about the degree of her passion . CONSTANCE ( Susan Fleetwood , passionately ) : O that my tongue were in the thunder's mouth ! Then with a passion would I shake the world ... King John : 111.4 .
There's no doubt here about the degree of her passion . CONSTANCE ( Susan Fleetwood , passionately ) : O that my tongue were in the thunder's mouth ! Then with a passion would I shake the world ... King John : 111.4 .
Halaman 185
And the borderline between passion and coolness , our theme this evening : the two are intense and locked together here , aren't they ? Michael Pennington : Yes . A lot of the language in the play is terrifically wrought and elaborate .
And the borderline between passion and coolness , our theme this evening : the two are intense and locked together here , aren't they ? Michael Pennington : Yes . A lot of the language in the play is terrifically wrought and elaborate .
Apa yang dikatakan orang - Tulis resensi
Playing Shakespeare: an actor's guide
Ulasan Pengguna - Not Available - Book VerdictWalking the boards in a play by the Bard can be one of the most rewarding and frightening experiences of an actor's life. Drawing on 35 years' experience as associate director of the Royal Shakespeare ... Baca ulasan lengkap
Isi
The Two Traditions Elizabethan and Modern Acting | 3 |
Using the Verse Heightened and Naturalistic Verse | 27 |
Language and Character Making the Words Ones Own | 56 |
Hak Cipta | |
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Istilah dan frasa umum
acting actor actually Antonio audience balance become beginning believe better break Caesar called changes character clear comes course David Suchet death director don't doth easy Elizabethan emotional example eyes feel follow give goes happens hath hear heart heightened Henry hold Ian McKellen important intention irony it's John kind King language Let's Lisa Harrow listen live look mean mind moved naturalistic nature never once ORSINO passage passion Patrick Stewart pause performance perhaps play poetry prose question reason rehearsal rhythm Richard scene seems sense Shake Shakespeare Shylock situation soliloquy sometimes sonnet sounds speak speech stand stress strong sure talking tell That's theater thee there's thing thou thought tradition true verse VIOLA whole words wrong
Buku ini dirujuk
Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video Lynda E. Boose,Richard Burt Pratinjau tidak tersedia - 1997 |