Playing Shakespeare: An Actor's GuideNow in its first American edition, Playing Shakespeare is the premier guide to understanding and appreciating the mastery of the world's greatest playwright. Together with Royal Shakespeare Company actors–among them Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet–John Barton demonstrates how to adapt Elizabethan theater for the modern stage. The director begins by explicating Shakespeare's verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare's most controversial creation, Shylock, from The Merchant of Venice. A practical and essential guide, Playing Shakespeare will stand for years as the authoritative favorite among actors, scholars, teachers, and students. |
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Halaman 33
Yes , that's a wonderful example of extra stresses . It's a very special line . I believe that it has ten strong stresses out of ten : " Good queen , my lord , good queen , I say good queen . ” The repetition of the word “ good ” is ...
Yes , that's a wonderful example of extra stresses . It's a very special line . I believe that it has ten strong stresses out of ten : " Good queen , my lord , good queen , I say good queen . ” The repetition of the word “ good ” is ...
Halaman 45
Elision sounds a learned word but basically it's to do with our actual habits of speech . It's not something grammatical or abstract . Let's look at the next example : “ But soft , no bedfellow .
Elision sounds a learned word but basically it's to do with our actual habits of speech . It's not something grammatical or abstract . Let's look at the next example : “ But soft , no bedfellow .
Halaman 86
Norman Rodway : This is a splendid example of Shakespeare switching from naturalistic prose to a romantic highly charged verse . But , alas , it's not always as simple as that . Many of his most heightened passages are in prose and much ...
Norman Rodway : This is a splendid example of Shakespeare switching from naturalistic prose to a romantic highly charged verse . But , alas , it's not always as simple as that . Many of his most heightened passages are in prose and much ...
Apa yang dikatakan orang - Tulis resensi
Playing Shakespeare: an actor's guide
Ulasan Pengguna - Not Available - Book VerdictWalking the boards in a play by the Bard can be one of the most rewarding and frightening experiences of an actor's life. Drawing on 35 years' experience as associate director of the Royal Shakespeare ... Baca ulasan lengkap
Isi
The Two Traditions Elizabethan and Modern Acting | 3 |
Using the Verse Heightened and Naturalistic Verse | 27 |
Language and Character Making the Words Ones Own | 56 |
Hak Cipta | |
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Istilah dan frasa umum
acting actor actually Antonio audience balance become beginning believe better break Caesar called changes character clear comes course David Suchet death director don't doth easy Elizabethan emotional example eyes feel follow give goes happens hath hear heart heightened Henry hold Ian McKellen important intention irony it's John kind King language Let's Lisa Harrow listen live look mean mind moved naturalistic nature never once ORSINO passage passion Patrick Stewart pause performance perhaps play poetry prose question reason rehearsal rhythm Richard scene seems sense Shake Shakespeare Shylock situation soliloquy sometimes sonnet sounds speak speech stand stress strong sure talking tell That's theater thee there's thing thou thought tradition true verse VIOLA whole words wrong
Buku ini dirujuk
Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video Lynda E. Boose,Richard Burt Pratinjau tidak tersedia - 1997 |