...Shklovsky claimed that the function of literature is "to make one feel things, to make the stone stony ... to impart the sensation of things as they are perceived and not as they are known," while Frederick Crews claimed that it is to reconcile competing conscious and unconscious psychological...

...and automatic, but art exists that one may recover the sensation of life; it exists to make one fcel things, to make the stone stony. The purpose of art...the sensation of things as they are perceived and noi as thev are known. The techinque of art is to make objects 'unfamiliar', to make forms difficolt,...

...continual desymbolization of the world."9 If we now come back to Shklovsky s idea that art imparts "the sensation of things as they are perceived and not as they are known," we see how the phenomenological attitude differs from the semiotic in its descriptive yield. Here is...

...and he hoped to foster a more intense aesthetic experience by fostering a longer viewing experience. "The purpose of art is to impart the sensation of...as they are perceived and not as they are known," Victor Shklovsky has suggested. "The technique of art is to make objects 'unfamiliar', to make forms...

..."Habitualization," Shklovsky wrote, "devours works, clothes, furniture, one's wife, and the fear of war. . . . Art exists that one may recover the sensation of life;...as they are perceived and not as they are known." 14 The same hatred of habitualization dominates Zoo: "Human routine is awful, meaningless, sluggish,...

..."Habitualization," Shklovsky wrote, "devours works, clothes, furniture, one's wife, and the fear of war. . . . Art exists that one may recover the sensation of life;...of things as they are perceived and not as they are known."14 The same hatred of habitualization dominates Zoo: "Human routine is awful, meaningless, sluggish,...

...life, we do not see things and their texture, since our perception has become habitual and automatic. The purpose of art is to impart the sensation of things as they are perceived and not as they are known. Art 'defamiliarizes' objects by making forms strange, and by increasing the difficulty and the length...

...familiarises habituated ideas and sensations and allows us to 'recover the sensation of life'. For art 'exists to make one feel things, to make the stone...as they are perceived and not as they are known.' A literary image 'creates a vision of the object instead of serving as a means of knowing it' (Rice...

...defamiliarization: "Habitualization devours works, clothes, furniture, one's wife, and the fear of war. . . . And art exists that one may recover the sensation...of things as they are perceived and not as they are known."16 Through aesthetic perception, defamiliarization would return the subject's awareness of sensation....

...establece la necesidad del escritor moderno de hacerle notar al lector la naturaleza formaj de lo que lee: "The purpose of art is to impart the sensation of...they are perceived and not as they are known. The techniqueof art isto makeobjects'unfamiliar,'to make formsdifficult.to increase the difficulty and...