Stylistics: Prospect & Retrospect
Stylistics: Prospect & Retrospect looks backward toward classic and foundational approaches and texts that helped to establish the field of stylistics. It also looks forward by examining recent innovations that seem likely to alter the ways in which style is studied in the years to come. The essays presented here, written by an array of experts from nine countries on four continents, employ a wide range of approaches to works that range from romantic poetry to contemporary fiction and from traditional folktales and nursery rhymes to contemporary film. The variety of authors, approaches, and works found here testifies to the vitality of the field of stylistics, and these essays should appeal to all those interested in the nature of style and in the history and future of stylistics.ContentsAcknowledgements Notes on ContributorsDavid L. HOOVER: PrefaceDavid L. HOOVER & Sharon LATTIG: IntroductionPart I: Foregrounding, Estrangement, and PatternWillie VAN PEER, Sonia ZYNGIER & Jemeljan HAKEMULDER: Foregrounding: Past, Present, FutureAnne BIRIEN: Modernist Poetics of Estrangement: Ezra Pound's Answer to Stephane MallarmeRobin J. SOWARDS: Local Interpretation and the Syntax of Keats's `To Autumn?Part II: Formal Analysis and the Analysis of FormHenrik SCHARFE: Story Elements as SetsYuchau E. HSIAO: The Metrical Structure of Taiwanese Nursery Rhymes: A Corpus StudyUlf CRONQUIST: Embodiment and the Irreducible Sign: Towards a Theoretical Anthropo-Semiotic Grounding for Literary Textual AnalysisPart III: Speech and Thought PresentationVioleta SOTIROVA: Historical Transformations of Free Indirect StyleJohn DOUTHWAITE: Using Speech and Thought Presentation to Validate Hypotheses Regarding the Nature of the Crime Novels of Andrea CamilleriMick SHORT: How to Make a Drama out of a Speech Act: The Speech Act of Apology in the Film A Fish Called WandaBibliographyIndex
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act of apology analysis apology sequence Archie Archie’s Autumn beat-sharing beauty Blend Blood Oranges Cambridge Camilleri clause cognitive poetics cognitive science construction context corpus crime fiction cultures detective story discourse distributed cognition effects English essay example extract F category F-Share false hero feminine film Fish Called Wanda Formal Concept Analysis free indirect style Freeman functions Hakemulder Hawkes’s hero hypothesis internal deviation John Karima lattice linguistic literary Literature Mallarmé masculine line metafictional metonymy Montalbano novels narrative narrator nursery rhymes Otto Otto’s pattern perspective poem poet poetry Pound Propp’s question reader reading realised reference repetition rhythm Russian Formalism semantic Semiotic share a demibeat Sherlock Holmes Sherlock Holmes stories sorry speech act speech and thought stanza structure studies stylistics syllable symbolic syntactic syntax Taiwanese nursery rhymes tale textual theory of foregrounding thought presentation unaccusative verbs University Press utterance verbs verse words
Halaman 3 - The poetic function projects the principle of equivalence from the axis of selection into the axis of combination.
Halaman 3 - Habitualization devours works, clothes, furniture, one，s wife, and the fear of war, ，If the whole complex lives of many people go on unconsciously, then such lives are as if they had never been.， And art exists that one may recover the sensation of life; it exists to make one feel things, to make the stone stony. The purpose of art is to impart the sensation of things as they are perceived and not as they are known.