Spectacular Bodies: Gender, Genre, and the Action Cinema

Sampul Depan
Psychology Press, 1993 - 195 halaman
While films such as Rambo, Thelma and Louiseand Basic Instincthave operated as major points of cultural reference in recent years, popular action cinema remains neglected within contemporary film criticism.
Spectacular Bodiesunravels the complexities and pleasures of a genre often dismissed as `obvious' in both its pleasure and its politics, arguing that these controversial films should be analysed and understood within a cinematic as well as a political context.
Yvonne Tasker argues that today's action cinema not only responds to the shifts in gendered, sexual and racial identities which took place during the 1980s, but reflects the influences of other media such as the new video culture. Her detailed discussion of the homoeroticism surrounding the muscleman hero, the symbolic centrality of blackness within the crime narrative, and the changing status of women within the genre, addresses the constitution of these identities through the shifting categories of gender, class, race, sex, sexuality and nation. Spectacular Bodiesalso examines the ambivalence of supposedly secure categories of popular cinema, questioning the existing terms of film criticism in this area and addressing the complex pleasures of this neglected form.ies through the shifting categories of gender, class, race, sex, sexuality and nation. Spectacular Bodiesalso examines the ambivalence of supposedly secure categories of popular cinema, questioning the existing terms of film criticism in this area and addressing the complex pleasures of this neglected form.
 

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Isi

WOMEN WARRIORS Gender sexuality and Hollywoods fighting heroines
12
BLACK BUDDIES AND WHITE HEROES Racial discourse in the action cinema
33
NEW HOLLYWOOD GENRE AND THE ACTION CINEMA
52
MASCULINITY POLITICS AND NATIONAL IDENTITY
89
THE BODY IN CRISIS OR THE BODY TRIUMPHANT?
107
ACTION HEROINES IN THE 1980s The limits of musculinity
130
THE CINEMA AS EXPERIENCE Kathryn Bigelow and the cinema of spectacle
151
NOTES
165
FILMOGRAPHY
176
BIBLIOGRAPHY
184
INDEX
189
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