Galdós's Segunda Manera: Rhetorical Strategies and Affective ResponseU.N.C. Department of Romance Languages, 1998 - 200 halaman This book explores the change that occurred in the writings of Spanish novelist Benito Perez Galdos when he entered his segunda manera in 1881 with the publication of La desheredada, his first contemporary novel. Critical work on this important phase of Galdos's career has tended to concentrate on the content of his novels, with little attention given to the way in which Galdos conveys that content to the reader. By studying these works in light of how their stories are told, Linda Willem shows that La desheredada marks the beginning of a more sophisticated and varied mode of narrative in Galdos's novels. Through close readings of his first seven contemporary works, Willem shows how the affective response associated with various narrative devices plays a role in the rhetorical strategies of each text. |
Dari dalam buku
Hasil 1-3 dari 21
Halaman 166
... SEGMENT : narrator's NOW : Summer 1883 narrator's NOW : Semana Santa 1884 story NOW : 1880 Spring 1883 2nd SEGMENT : story NOW : Spring 1883 - Semana Santa 1884 3rd SEGMENT ( Ido del Sagrario as amanuensis ) : narrator's NOW : July ...
... SEGMENT : narrator's NOW : Summer 1883 narrator's NOW : Semana Santa 1884 story NOW : 1880 Spring 1883 2nd SEGMENT : story NOW : Spring 1883 - Semana Santa 1884 3rd SEGMENT ( Ido del Sagrario as amanuensis ) : narrator's NOW : July ...
Halaman 168
... segment José María adds information concerning the period between August and November 1884 : the re- couping of José María's finances and the birth of Camila's twins . More importantly , José looks over the memoirs to make sure that Ido ...
... segment José María adds information concerning the period between August and November 1884 : the re- couping of José María's finances and the birth of Camila's twins . More importantly , José looks over the memoirs to make sure that Ido ...
Halaman 174
... segment . Since Ido must divine José María's thoughts and all details of the events from the very broad outline dictated to him , he goes beyond the passive role of scribe and becomes a collaborative nar- rator of the third segment ...
... segment . Since Ido must divine José María's thoughts and all details of the events from the very broad outline dictated to him , he goes beyond the passive role of scribe and becomes a collaborative nar- rator of the third segment ...
Isi
ACKNOWLEDGMENTS | 9 |
NEW TRENDS LA DESHEREDADA AND FORTUNATA Y JACINTA | 41 |
RECURRING CHARACTERS THE CENTENOTORMENTOBRINGAS | 99 |
Hak Cipta | |
3 bagian lainnya tidak diperlihatkan
Istilah dan frasa umum
able actions Agustín allows amigo Manso Amparo Anales Galdosianos appear attitudes becomes behavior Benito Pérez Galdós Bringas calls Centeno chapter characters concept concerning consciousness Consequently continues conversations conveyed course critical desheredada devices direct discoursive discussion display doctor Centeno effect emotional engaged entire example experience exterior feelings Fiction final Fortunata y Jacinta free indirect thought Galdós's implied implied author important interior views Isidora José María Juanito Language limited Madrid Manso mental mind Miquis moral narrative narrator narrator's nature negative noted novel passage past Pérez Galdós perspective point of view political Polo position present present tense reader reading refer relationship reliability response result reveal rhetorical role Romance Rosalía scene segment situation social society speaking story Studies style technique throughout tion Tormento unreliable values various voice volume