Galdós's Segunda Manera: Rhetorical Strategies and Affective ResponseU.N.C. Department of Romance Languages, 1998 - 200 halaman This book explores the change that occurred in the writings of Spanish novelist Benito Perez Galdos when he entered his segunda manera in 1881 with the publication of La desheredada, his first contemporary novel. Critical work on this important phase of Galdos's career has tended to concentrate on the content of his novels, with little attention given to the way in which Galdos conveys that content to the reader. By studying these works in light of how their stories are told, Linda Willem shows that La desheredada marks the beginning of a more sophisticated and varied mode of narrative in Galdos's novels. Through close readings of his first seven contemporary works, Willem shows how the affective response associated with various narrative devices plays a role in the rhetorical strategies of each text. |
Dari dalam buku
Hasil 1-3 dari 92
Halaman 13
... narrative presentation of Galdós's segunda manera , I will use that description as a point of departure to explore how those fea- tures function rhetorically within the individual novels . In so doing I will show how the affective ...
... narrative presentation of Galdós's segunda manera , I will use that description as a point of departure to explore how those fea- tures function rhetorically within the individual novels . In so doing I will show how the affective ...
Halaman 14
... narrative while the discourse deals with the bow ( SD 19-26 ) . Based on this duality Chatman is able to clearly define a number of problematic concepts . Of particular im- portance to my study of Galdós's works is Chatman's distinction ...
... narrative while the discourse deals with the bow ( SD 19-26 ) . Based on this duality Chatman is able to clearly define a number of problematic concepts . Of particular im- portance to my study of Galdós's works is Chatman's distinction ...
Halaman 194
... Narrative Norm , and the Position- ing of the Reader in Waiting for the Barbarians . ” Understanding Narrative . Ed . James Phelan and Peter J. Rabinowitz . Columbus : Ohio State UP , 1994. 222-45 . " Self - Help for Narratee and Narrative ...
... Narrative Norm , and the Position- ing of the Reader in Waiting for the Barbarians . ” Understanding Narrative . Ed . James Phelan and Peter J. Rabinowitz . Columbus : Ohio State UP , 1994. 222-45 . " Self - Help for Narratee and Narrative ...
Isi
ACKNOWLEDGMENTS | 9 |
NEW TRENDS LA DESHEREDADA AND FORTUNATA Y JACINTA | 41 |
RECURRING CHARACTERS THE CENTENOTORMENTOBRINGAS | 99 |
Hak Cipta | |
3 bagian lainnya tidak diperlihatkan
Istilah dan frasa umum
able actions Agustín allows amigo Manso Amparo Anales Galdosianos appear attitudes becomes behavior Benito Pérez Galdós Bringas calls Centeno chapter characters concept concerning consciousness Consequently continues conversations conveyed course critical desheredada devices direct discoursive discussion display doctor Centeno effect emotional engaged entire example experience exterior feelings Fiction final Fortunata y Jacinta free indirect thought Galdós's implied implied author important interior views Isidora José María Juanito Language limited Madrid Manso mental mind Miquis moral narrative narrator narrator's nature negative noted novel passage past Pérez Galdós perspective point of view political Polo position present present tense reader reading refer relationship reliability response result reveal rhetorical role Romance Rosalía scene segment situation social society speaking story Studies style technique throughout tion Tormento unreliable values various voice volume