A Primer of PsychologyJohn Murray, 1907 - 120 halaman |
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accompanied afferent nerves ALBEMARLE STREET analysis ANALYSIS OF MIND apprehension aspect attention Aversion bodily changes bodily commotion called Chap chapter child complex Conation conception conceptual system connection conscious experience conscious processes consider constitutes determined Differentiation distinguish effect elements exciting explain fact factors of consciousness Fcap Feeling feeling-tone field of consciousness form of Cognition hedonic idea Ideation Imagination implies impulsive movements inasmuch instance introspection involved kind Mark Rutherford means ment mental processes modification motor-experience muscular nervous object observe occur painful particular experiences past experience percept perceptual experience person physical stimulus pleasure Pleasure-Pain present principle Professor James psychical Psycho-physical Parallelism psychologist psychosis purposive action purposive movements reflex actions reflex movements regard reinstated relation sciousness sensation sense sense-experience sense-impressions sensory shoe-lace situation student is advised tend theory thing thinking thought tion ultimate factor Voluntary Decision W. E. Gladstone whole words
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Halaman 115 - YES! in the sea of life enisled, With echoing straits between us thrown, Dotting the shoreless watery wild, We mortal millions live alone. The islands feel the enclasping flow, And then their endless bounds they know.
Halaman 118 - The crow doth sing as sweetly as the lark, When neither is attended ; and, I think The nightingale, if she should sing by day, When every goose is cackling, would be thought No better a musician than the wren.
Halaman 80 - If we fancy some strong emotion, and then try to abstract from our consciousness of it all the feelings of its bodily symptoms, we find we have nothing left behind, no "mind-stuff...
Halaman 78 - Common sense says, we lose our fortune, are sorry and weep; we meet a bear, are frightened and run; we are insulted by a rival, are angry and strike. The hypothesis here to be defended says that this order of sequence is incorrect...
Halaman 81 - In rage, it is notorious how we ' work ourselves up ' to a climax by repeated outbreaks of expression. Refuse to express a passion, and it dies. Count ten before venting your anger, and its occasion seems ridiculous. Whistling to keep up courage is no mere figure of speech. On the other hand, sit all day in a moping posture, sigh, and reply to everything with a dismal voice, and your melancholy lingers.
Halaman 63 - We may, if we like, by our reasonings unwind things back to that black and jointless continuity of space and moving clouds of swarming atoms which science calls the only real world. But all the while the world we feel and live in will be that which our ancestors and we, by slowly cumulative strokes of choice, have extricated out of this, like sculptors, by simply rejecting certain portions of the given stuff.
Halaman 78 - My theory, on the contrary, is that the bodily changes follow directly the perception of the exciting fact, and that our feeling of the same changes as they occur is the emotion.
Halaman 78 - ... we feel sorry because we cry, angry because we strike, afraid because we tremble, and not that we cry, strike, or tremble, because we are sorry, angry, or fearful, as the case may be. Without the bodily states following on the perception, the latter would be purely cognitive in form, pale, colourless, destitute of emotional warmth.
Halaman 58 - Now, language is to the mind precisely what the arch is to the tunnel. The power of thinking and the power of excavation are not dependent on the word in the one case, on the mason-work in the other; but without these subsidiaries, neither process could be carried on beyond its rudimentary commencement.
Halaman 63 - The eyes are fixed on vacancy, the sounds of the world melt into confused unity, the attention is dispersed so that the whole body is felt, as it were, at once, and the foreground of consciousness is filled, if by anything, by a sort of solemn sense of surrender to the empty passing of time.