Playing Shakespeare: An Actor's GuideKnopf Doubleday Publishing Group, 21 Agu 2001 - 288 halaman Playing Shakespeare is the premier guide to understanding and appreciating the mastery of the world’s greatest playwright. Together with Royal Shakespeare Company actors–among them Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet–John Barton demonstrates how to adapt Elizabethan theater for the modern stage. The director begins by explicating Shakespeare’s verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare’s most controversial creation, Shylock, from The Merchant of Venice. A practical and essential guide, Playing Shakespeare will stand for years as the authoritative favorite among actors, scholars, teachers, and students. |
Dari dalam buku
Hasil 1-3 dari 40
Halaman 31
... stress is provided when that norm is broken . " Once more unto the breach , dear friends , once more " is a very strong line because there are extra strong stresses . There are seven " dums " here , not five . The extra stresses ...
... stress is provided when that norm is broken . " Once more unto the breach , dear friends , once more " is a very strong line because there are extra strong stresses . There are seven " dums " here , not five . The extra stresses ...
Halaman 33
... stress the line in everyday speech because of the meaning of what you are saying and try saying it without thinking ... stressed , but for all practical purposes you'll find that it works . Sheila Hancock : There's a very heavily ...
... stress the line in everyday speech because of the meaning of what you are saying and try saying it without thinking ... stressed , but for all practical purposes you'll find that it works . Sheila Hancock : There's a very heavily ...
Halaman 34
... stress and not a strong one , and is simply a piece of license given to anyone writing in blank verse . An actor doesn't have to worry about it or doing anything about it , except to avoid treating it as a strong stress . If he gives a ...
... stress and not a strong one , and is simply a piece of license given to anyone writing in blank verse . An actor doesn't have to worry about it or doing anything about it , except to avoid treating it as a strong stress . If he gives a ...
Isi
The Two TraditionsElizabethan and Modern Acting | 3 |
Using the VerseHeightened and Naturalistic Verse | 27 |
Language and CharacterMaking the Words Ones Own | 56 |
Hak Cipta | |
10 bagian lainnya tidak diperlihatkan
Edisi yang lain - Lihat semua
Istilah dan frasa umum
actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character COSTARD course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotional example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause Peggy Ashcroft perhaps Playing Shakespeare poetic poetry PORTIA prose rehearsal rhythm Richard Pasco Roger Rees scene sense Shake Shakespeare's text Sheila Hancock Shylock soliloquy sonnet sooth I know sounds speak speare speech strong stresses talking tell theater thee there's thing thou thought Tony Church Troilus Tubal verse line verse-line VIOLA words
Buku ini dirujuk
Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video Lynda E. Boose,Richard Burt Pratinjau tidak tersedia - 1997 |