Playing Shakespeare: An Actor's GuideKnopf Doubleday Publishing Group, 21 Agu 2001 - 288 halaman Playing Shakespeare is the premier guide to understanding and appreciating the mastery of the world’s greatest playwright. Together with Royal Shakespeare Company actors–among them Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet–John Barton demonstrates how to adapt Elizabethan theater for the modern stage. The director begins by explicating Shakespeare’s verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare’s most controversial creation, Shylock, from The Merchant of Venice. A practical and essential guide, Playing Shakespeare will stand for years as the authoritative favorite among actors, scholars, teachers, and students. |
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Halaman 140
... perhaps whole scenes . Look at this example . If you stress the antitheses the text will be totally clear . If not , it will be muddy and cloudy . Shake- speare is talking of how the man and the woman he loves are having an affair ...
... perhaps whole scenes . Look at this example . If you stress the antitheses the text will be totally clear . If not , it will be muddy and cloudy . Shake- speare is talking of how the man and the woman he loves are having an affair ...
Halaman 209
... perhaps there is , Hath for your love as great a pang of heart As you have for Olivia . You cannot love her . You tell her so . Must she not then be answered ? ( Pause . ) ORSINO : There is no woman's sides Can bide the beating of so ...
... perhaps there is , Hath for your love as great a pang of heart As you have for Olivia . You cannot love her . You tell her so . Must she not then be answered ? ( Pause . ) ORSINO : There is no woman's sides Can bide the beating of so ...
Halaman 247
... Perhaps that's what makes it a poetic line . There's a resonance which can't be defined or pinned down . So each of you take the Antonio line one after another and see if you can search it , feel for it or disturb me poetically with it ...
... Perhaps that's what makes it a poetic line . There's a resonance which can't be defined or pinned down . So each of you take the Antonio line one after another and see if you can search it , feel for it or disturb me poetically with it ...
Isi
The Two TraditionsElizabethan and Modern Acting | 3 |
Using the VerseHeightened and Naturalistic Verse | 27 |
Language and CharacterMaking the Words Ones Own | 56 |
Hak Cipta | |
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Istilah dan frasa umum
actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character COSTARD course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotional example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause Peggy Ashcroft perhaps Playing Shakespeare poetic poetry PORTIA prose rehearsal rhythm Richard Pasco Roger Rees scene sense Shake Shakespeare's text Sheila Hancock Shylock soliloquy sonnet sooth I know sounds speak speare speech strong stresses talking tell theater thee there's thing thou thought Tony Church Troilus Tubal verse line verse-line VIOLA words
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