Playing Shakespeare: An Actor's GuideKnopf Doubleday Publishing Group, 21 Agu 2001 - 288 halaman Playing Shakespeare is the premier guide to understanding and appreciating the mastery of the world’s greatest playwright. Together with Royal Shakespeare Company actors–among them Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet–John Barton demonstrates how to adapt Elizabethan theater for the modern stage. The director begins by explicating Shakespeare’s verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare’s most controversial creation, Shylock, from The Merchant of Venice. A practical and essential guide, Playing Shakespeare will stand for years as the authoritative favorite among actors, scholars, teachers, and students. |
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Halaman 154
... give thee that due , Uttering bare truth , even so as foes commend . Thine outward thus with outward praise is crown'd ; But those same tongues that give thee so thine own In other accents do this praise confound By seeing farther than ...
... give thee that due , Uttering bare truth , even so as foes commend . Thine outward thus with outward praise is crown'd ; But those same tongues that give thee so thine own In other accents do this praise confound By seeing farther than ...
Halaman 202
... Give me now leave , to leave thee . FESTE : Now the melancholy god protect thee , ... for thy mind is a very opal . I would have men of such constancy put to sea , that their business might be everything and their intent everywhere ...
... Give me now leave , to leave thee . FESTE : Now the melancholy god protect thee , ... for thy mind is a very opal . I would have men of such constancy put to sea , that their business might be everything and their intent everywhere ...
Halaman 206
... give her this jewel ; say My love can give no place , bide no denay . The only thing I want to point out about the verse at the end of the scene is how it breaks the mood again . Viola rightly snapped out of it with " Shall I to this ...
... give her this jewel ; say My love can give no place , bide no denay . The only thing I want to point out about the verse at the end of the scene is how it breaks the mood again . Viola rightly snapped out of it with " Shall I to this ...
Isi
The Two TraditionsElizabethan and Modern Acting | 3 |
Using the VerseHeightened and Naturalistic Verse | 27 |
Language and CharacterMaking the Words Ones Own | 56 |
Hak Cipta | |
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Istilah dan frasa umum
actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character COSTARD course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotional example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause Peggy Ashcroft perhaps Playing Shakespeare poetic poetry PORTIA prose rehearsal rhythm Richard Pasco Roger Rees scene sense Shake Shakespeare's text Sheila Hancock Shylock soliloquy sonnet sooth I know sounds speak speare speech strong stresses talking tell theater thee there's thing thou thought Tony Church Troilus Tubal verse line verse-line VIOLA words
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