BOX OFFICE ARCHAEOLOGY: Refining Hollywood's Portrayals of the PastJulie M Schablitsky Left Coast Press, 15 Mei 2007 - 256 halaman “How true is it?” is a common refrain of patrons coming out of movie theatres after the latest film on pirates, Vikings, or mummies. While Hollywood usurps the past for its own entertainment purposes, archaeologists and historians know a lot about many of these subjects, digging up stories often more fascinating than the ones projected on screen. This distinguished group of archaeologists select key subjects and genres used by Hollywood and provide the historical and archaeological depth that a movie cannot—what really happened in history. Topics include Egypt, the Wild West, Civil War submarines, Vikings, the Titanic, and others. The book should be of interest to introductory archaeology and American history classes, courses on film and popular culture, and to a general audience. Alternate Selection, History Book Club. |
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Halaman 61
... recovered sections of the hull were burned to recover the iron fit- tings ) , more than 40,000 artifacts were found scattered across a 24,000 - square - foot area ( Hamilton 2006 : 133-135 ) . The identification of the vessel was never ...
... recovered sections of the hull were burned to recover the iron fit- tings ) , more than 40,000 artifacts were found scattered across a 24,000 - square - foot area ( Hamilton 2006 : 133-135 ) . The identification of the vessel was never ...
Halaman 78
... recovered 1,800 artifacts , and sailed into a sea of controversy . A January 1988 editorial in Discover magazine , head- lined " We All Loot in a Yellow Submarine , " slammed IFREMER and their U.S. partners for the dives , and for a ...
... recovered 1,800 artifacts , and sailed into a sea of controversy . A January 1988 editorial in Discover magazine , head- lined " We All Loot in a Yellow Submarine , " slammed IFREMER and their U.S. partners for the dives , and for a ...
Halaman 85
... recovered from it . The imagery of the sunken Titanic at the end of Cameron's film was so powerful that the producers of Pearl Harbor ( 2001 ) ended their film about the December 7 , 1941 attack with views of the sunken battleship ...
... recovered from it . The imagery of the sunken Titanic at the end of Cameron's film was so powerful that the producers of Pearl Harbor ( 2001 ) ended their film about the December 7 , 1941 attack with views of the sunken battleship ...
Edisi yang lain - Lihat semua
BOX OFFICE ARCHAEOLOGY: Refining Hollywood's Portrayals of the Past Julie M Schablitsky Pratinjau terbatas - 2007 |
Box Office Archaeology: Refining Hollywood’s Portrayals of the Past Julie M Schablitsky Pratinjau terbatas - 2016 |
Box Office Archaeology: Refining Hollywood’s Portrayals of the Past Julie M Schablitsky Pratinjau terbatas - 2016 |
Istilah dan frasa umum
13th Warrior 19th-century African American Ancient Egypt Anthropology archaeological record artifacts attack audience battle Black boomtowns California Captain century characters Charleston Chinatown Chinese cinema Civil Colonial crew Deadwood depicted director dives Dixon early editor Egyptology ethnic excavation Figure film filmmakers Fitzhugh and Elizabeth Five Points Gangs genre H.L. Hunley Historical Archaeology Hollywood Hollywood productions Hunley's images immigrants Indian James John Smith lives Market Street Chinatown movie mummy Museum myth mythic National Nevada Night to Remember Norse North Atlantic Saga opium overseas Chinese past piracy pirate Pocahontas Pocahontas's political popular culture portrayed Powhatan produced Queen Anne's Revenge racial racist recovered Robert saloon scene Schablitsky Scorsese's ship shipwreck Smithsonian Institution Press social society soldiers stereotypes story Stuart Tyson Smith submarine television themes tion Titanic tomb Tombstone underwater Underwater Archaeology University Press Vikings village Virginia City warriors Western White Whydah wreck Yamin York