Paris StoriesNew York Review of Books, 27 Apr 2011 - 400 halaman A NEW YORK REVIEW BOOKS ORIGINAL Mavis Gallant is a contemporary legend, a frequent contributor to The New Yorkerfor close to fifty years who has, in the words of The New York Times, "radically reshaped the short story for decade after decade." Michael Ondaatje's new selection of Gallant's work gathers some of the most memorable of her stories set in Europe and Paris, where Gallant has long lived. Mysterious, funny, insightful, and heartbreaking, these are tales of expatriates and exiles, wise children and straying saints. Together they compose a secret history, at once intimate and panoramic, of modern times. |
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Halaman xii
... close to the voice of the narrator outside the story. But one could equally be persuaded by a similar intimacy with the ex-husband's memories, or even the wandering thoughts of Henri Grippes in the story "In Plain Sight." Gallant's ...
... close to the voice of the narrator outside the story. But one could equally be persuaded by a similar intimacy with the ex-husband's memories, or even the wandering thoughts of Henri Grippes in the story "In Plain Sight." Gallant's ...
Halaman 9
... hurt. Peter says, “It was fine while it lasted.” Enough. While it lasted Sheilah and Madge Burleigh were close. They abandoned their husbands and spent long summer afternoons THE ICE WA G ON GO ING DOWN THE STREET - 9.
... hurt. Peter says, “It was fine while it lasted.” Enough. While it lasted Sheilah and Madge Burleigh were close. They abandoned their husbands and spent long summer afternoons THE ICE WA G ON GO ING DOWN THE STREET - 9.
Halaman 10
Mavis Gallant. close. They abandoned their husbands and spent long summer afternoons comparing their mothers and praising each other's skin and hair. To Madge, and not to Peter, Sheilah opened her Liverpool childhood with the words "rat ...
Mavis Gallant. close. They abandoned their husbands and spent long summer afternoons comparing their mothers and praising each other's skin and hair. To Madge, and not to Peter, Sheilah opened her Liverpool childhood with the words "rat ...
Halaman 15
... (close enough), that the girl looked frightened, as if she had raised a whirlwind. She said slowly, "If you'll only show me, Mr. Frazier, instead of doing it so fast, I'll gladly look after it, because you might want to be doing other ...
... (close enough), that the girl looked frightened, as if she had raised a whirlwind. She said slowly, "If you'll only show me, Mr. Frazier, instead of doing it so fast, I'll gladly look after it, because you might want to be doing other ...
Halaman 22
... close by. He had forgotten where the hired car was parked, or what it looked like; he could not remember its make or its color. In any case, Sheilah had the key. Agnes walked on steadily, as if she knew their destination, and he thought ...
... close by. He had forgotten where the hired car was parked, or what it looked like; he could not remember its make or its color. In any case, Sheilah had the key. Agnes walked on steadily, as if she knew their destination, and he thought ...
Isi
31 | |
51 | |
73 | |
From the Fifteenth District | 119 |
Baum Gabriel 1935 | 171 |
The Remission | 195 |
Grippes and Poches | 237 |
Forain | 257 |
August | 275 |
Mlle Dias de Corta | 315 |
Afterword | 365 |
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Istilah dan frasa umum
Alec American asked Barbara began believed Bonnie called child close course Cruche dark Dieter doctor door Doris dress English everything expected eyes face father feel felt Flor Forain French friends Gabriel gave girl give glass Grippes hair half hand head hear heard husband Jack keep kind knew later leave letter light live looked Lydia married mean mind mother moved needed Netta never night once Paris past perhaps person Peter Poche probably remember seemed seen side someone sound speak Speck stopped story street supposed taken talk tell Theo thing thought told took tried trying turned voice waiting walked wall wanted watch wife Wilkinson window woman women wondered writing young