Legacy, Volume 22,Masalah 1Department of English, University of Massachusetts, 2005 |
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Halaman 26
... heroine who exerts control . Wool- son reveals that as Margaret and Winthrop nav- igate the Monnlungs and its impelling allure- ment , Margaret , in fact , “ acted as pilot , half kneeling , half sitting at the bow , one hand on the ...
... heroine who exerts control . Wool- son reveals that as Margaret and Winthrop nav- igate the Monnlungs and its impelling allure- ment , Margaret , in fact , “ acted as pilot , half kneeling , half sitting at the bow , one hand on the ...
Halaman 27
... heroine is left , as James puts it , " en l'air " ( Complete Notebooks 15 ) ; we are left with questions concerning her future , her exact attitude toward Osmond , and the ultimate rea- sons for her resolve . Woolson had some of these ...
... heroine is left , as James puts it , " en l'air " ( Complete Notebooks 15 ) ; we are left with questions concerning her future , her exact attitude toward Osmond , and the ultimate rea- sons for her resolve . Woolson had some of these ...
Halaman 28
... heroine seems equally apparent . For in East Angels , she creates a char- acter who , when tempted by a man , does not helplessly succumb ; she does not drown in the power of the masculine as does James's heroine . Rather , Woolson's ...
... heroine seems equally apparent . For in East Angels , she creates a char- acter who , when tempted by a man , does not helplessly succumb ; she does not drown in the power of the masculine as does James's heroine . Rather , Woolson's ...
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Frederick Wegener | 1 |
Henry Jamess The Portrait of a Lady | 18 |
Obermueller | 47 |
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