Legacy, Volume 3,Masalah 2Department of English, University of Massachusetts, 1987 |
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Halaman 18
... final- ly fails to speak truth to Maverick . Though she does say , " I do not love you , " she does not say why . If Phelps understands that speech is a func- tion of power , she also understands that power is a function of class and ...
... final- ly fails to speak truth to Maverick . Though she does say , " I do not love you , " she does not say why . If Phelps understands that speech is a func- tion of power , she also understands that power is a function of class and ...
Halaman 33
of his change of heart towards the end of his life . In his final confrontation with the anguished Sybil , for example , he displays momentary “ pain and pity " on his " ruthless countenance " ( 293 ) , and he appears to feel pangs of ...
of his change of heart towards the end of his life . In his final confrontation with the anguished Sybil , for example , he displays momentary “ pain and pity " on his " ruthless countenance " ( 293 ) , and he appears to feel pangs of ...
Halaman 36
... final explanation of " the facts " at the end of her narrative . Sybil has submitted to her uncle's domination , shifting blame from her uncle to herself and lamenting her own past foolish- ness as she re - tells and revises her story ...
... final explanation of " the facts " at the end of her narrative . Sybil has submitted to her uncle's domination , shifting blame from her uncle to herself and lamenting her own past foolish- ness as she re - tells and revises her story ...
Isi
Women Artists as Exiles in the Fiction | 3 |
Elizabeth Stuart Phelpss | 17 |
Anna Katharine Green 18461935 Patricia D Maida | 53 |
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