Legacy, Volume 3,Masalah 2Department of English, University of Massachusetts, 1987 |
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Halaman 21
... Perley to agree to this assumption exist precisely to offset the partners ' willful ob- fuscation of Perley's position . The aim of this strategy is to confuse Perley and make her feel that she is stupid , thus forcing her to back off ...
... Perley to agree to this assumption exist precisely to offset the partners ' willful ob- fuscation of Perley's position . The aim of this strategy is to confuse Perley and make her feel that she is stupid , thus forcing her to back off ...
Halaman 25
... Perley's visit to Sip's room : " Something has hap- pened to the forlorn little room tonight . Sip stops with the ... Perley's change of feeling is unintelligible . In this scene , being itself becomes doing and action is simply Perley ...
... Perley's visit to Sip's room : " Something has hap- pened to the forlorn little room tonight . Sip stops with the ... Perley's change of feeling is unintelligible . In this scene , being itself becomes doing and action is simply Perley ...
Halaman 26
... Perley's " evenings " leave knowing that the structures which keep them from living like the rich are man - made and not inherent . Phelps has made the best possible case for the radical potential of Perley's work . That she should be ...
... Perley's " evenings " leave knowing that the structures which keep them from living like the rich are man - made and not inherent . Phelps has made the best possible case for the radical potential of Perley's work . That she should be ...
Isi
Women Artists as Exiles in the Fiction | 3 |
Elizabeth Stuart Phelpss | 17 |
Anna Katharine Green 18461935 Patricia D Maida | 53 |
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