Adaptation and AppropriationRoutledge, 7 Mei 2007 - 200 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film or culture. |
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... possible breadth of examples, The New Critical Idiom is an indispensable approach to key topics in literary studies. Also available in this series: The Author by Andrew Bennett Autobiography by Linda Anderson Class by Gary Day ...
... possible breadth of examples, The New Critical Idiom is an indispensable approach to key topics in literary studies. Also available in this series: The Author by Andrew Bennett Autobiography by Linda Anderson Class by Gary Day ...
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Istilah dan frasa umum
adaptation and appropriation allusion analogue archetypal artistic Atkinson Black Orpheus bricolage Brontë’s Carey Carey’s Carter Chapter character Chaucer’s Coetzee’s contemporary context creative critical crucial Crusoe cultural Dalloway Defoe’s deployed Dickens’s discussed drama Eliot’s Eurydice evoked example fairy tale Faulkner’s feminist fiction film Fowles’s French Lieutenant’s Woman Genette genre Hamlet hypotext idiom imitation intertextual Jack Maggs Jane Eyre Kelly’s Last Orders literary literature Maggs’s magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative nineteenthcentury Oates Oates’s original Orpheus Orpheus’s Othello Ovid Ovidian parallel particular pastiche performance person narration perspective plotlines postcolonial postmodern process of adaptation protagonists reader reading relationship revision reworking rewriting Rhys Rushdie selfconsciously sexual Shakespeare Shakespeare’s play Shakespearean signifiers source text specific story structure suggests Susan Swift’s novel Sycorax T. S. Eliot textual theory tradition twentieth century underworld variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing