Legacy: A Journal of American Women Writers, Volume 5,Masalah 1-2;Volume 5Department of English, University of Massachusetts, 1988 |
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Halaman 9
... poetess seems capable of casually entwining her " mesh " around any object without altering her own essential qualities . The other side of this naturaliza- tion and objectification of the speaker is that in " Oak in Autumn , " as in ...
... poetess seems capable of casually entwining her " mesh " around any object without altering her own essential qualities . The other side of this naturaliza- tion and objectification of the speaker is that in " Oak in Autumn , " as in ...
Halaman 11
... poetess able to command it ? The next adjectives used to describe the waterfall , " terror and beauty , " give a clue to this dilemma that underscores the com- passion the poetess might feel for a natural object that shares the woman's ...
... poetess able to command it ? The next adjectives used to describe the waterfall , " terror and beauty , " give a clue to this dilemma that underscores the com- passion the poetess might feel for a natural object that shares the woman's ...
Halaman 12
... poetess ' authority and her lack of it are conflated , at the end of the poem , into an internalized version of the transcendent , ineffable sublimity that she might , in a subjective poem , have been expected to project out- wards onto ...
... poetess ' authority and her lack of it are conflated , at the end of the poem , into an internalized version of the transcendent , ineffable sublimity that she might , in a subjective poem , have been expected to project out- wards onto ...
Isi
Male and Female Mysteries in The Yellow Wallpaper | 3 |
Harris | 33 |
Lucy Larcom 18241893 | 45 |
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