Male Rage, Female Fury: Gender and Violence in Contemporary American FictionUniversity Press of America, 2000 - 305 halaman In four chapters, each dedicated to an experimental American novelist of the postmodern period, Male Rage Female Fury investigates what happens when novels that have defied traditional literary conventions such as temporal chronology, refuse to break with traditional gender-based stereotypes. The result, Maxwell argues, is an ambiguity or "internal tension" that may eventually produce more misogynistic images within the texts. Central to the study is an analysis of the violence, male and female initiated, in the works of the minimalists Barthelme and Didion, and the mythicists Pynchon and Morrison. |
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Halaman 124
... becomes , in part , the symbol of the Sartrean in - itself ( one woman in V. is described as " warm and viscous- moving " ( V. 137 ) ) , that is , the en soi or undifferentiated mass of contingent being that makes its appearance in a ...
... becomes , in part , the symbol of the Sartrean in - itself ( one woman in V. is described as " warm and viscous- moving " ( V. 137 ) ) , that is , the en soi or undifferentiated mass of contingent being that makes its appearance in a ...
Halaman 158
... becomes the omnipresent issue . " " " " Ariadne , of course , provided Theseus with the necessary plan and roll of thread by which he would be able to retrace his steps and find his way out of the maze ; Pynchon , however , lures us ...
... becomes the omnipresent issue . " " " " Ariadne , of course , provided Theseus with the necessary plan and roll of thread by which he would be able to retrace his steps and find his way out of the maze ; Pynchon , however , lures us ...
Halaman 218
... becomes associated with the primeval ooze from which all life springs ; and her " deer eyes " ( J 153 ) suggest both her dehumanization by Golden Grey and her affinity with the creatures of the earth . Having assimilated the white ...
... becomes associated with the primeval ooze from which all life springs ; and her " deer eyes " ( J 153 ) suggest both her dehumanization by Golden Grey and her affinity with the creatures of the earth . Having assimilated the white ...
Isi
Chapter IDonald Barthelme 23 | 23 |
Chapter IIJoan Didion | 51 |
Chapter IIIThomas Pynchon | 115 |
Hak Cipta | |
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Istilah dan frasa umum
aesthetic ambiguity ambivalence American argues Barthelme Barthelme's behavior Beloved Boca Grande Charlotte Charlotte's child Cholly comic contemporary critic culture culture's daughter Dead Father death Democracy depiction discourse Donald Barthelme Dorcas episode fantasies Felski female victimization feminine feminism feminist Feminist Aesthetics fiction fragmented gender Gilbert and Gubar girl Glass Mountain Gravity's Rainbow identity images inanimate Jack Lovett Jane Jazz Joan Didion Joe Trace lesbian Lily literary male aggression Maria masculine Mélanie metaphysical minimalistic misogyny mother murder narrative narrator novel oppressive parody passive patriarchal Pecola perhaps phallic PIAIL Pökler political pornography postmodern postmodernist psychological rage rape reader reflects remains reveals Rocket role second-wave feminism seemingly semiotic Sethe Sethe's sexual silences Slothrop Snow White social society stereotypes story strategies subversive Sula Susan Griffin symbolic Thomas Pynchon Toni Morrison traditional University Press Vheissu violence against women voice vulnerable wife women and violence York young