The Works of Shakespeare, Volume 11Macmillan and Company, limited, 1900 |
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Halaman xii
... TRAGEDY . . 216 CHAPTER XIII THE EARLIER TRAGEDIES 232 CHAPTER XIV THE LATER TRAGEDIES . 252 CHAPTER XV The ETHICAL SIGNIFICANCE OF THE TRAGEDIES 276 CHAPTER XVI THE ROMANCES 292 CHAPTER XVII THE LAST YEARS AT STRATFORD 314 INTRODUCTION ...
... TRAGEDY . . 216 CHAPTER XIII THE EARLIER TRAGEDIES 232 CHAPTER XIV THE LATER TRAGEDIES . 252 CHAPTER XV The ETHICAL SIGNIFICANCE OF THE TRAGEDIES 276 CHAPTER XVI THE ROMANCES 292 CHAPTER XVII THE LAST YEARS AT STRATFORD 314 INTRODUCTION ...
Halaman 3
... tragedy its name . Grouped about rude altars , in a rude chorus , they told the story of the god's wanderings and adventures , not with words only , but with gesture , dance , and music . The expression of thought and feeling was free ...
... tragedy its name . Grouped about rude altars , in a rude chorus , they told the story of the god's wanderings and adventures , not with words only , but with gesture , dance , and music . The expression of thought and feeling was free ...
Halaman 9
... tragedy was not only sung and described , but acted before the high altar by gorgeously robed priests . Thus the drama was born a second time at the foot of the altar . But the time came when the drama parted company with the liturgy ...
... tragedy was not only sung and described , but acted before the high altar by gorgeously robed priests . Thus the drama was born a second time at the foot of the altar . But the time came when the drama parted company with the liturgy ...
Halaman 13
... tragedy , but as personifications of the principle of evil ; with Genus Humanum , Pleasure , Slander , Perseverance , and the Seven Deadly Sins . These prolix and monotonous plays cover a wide range of subjects , from the popular ...
... tragedy , but as personifications of the principle of evil ; with Genus Humanum , Pleasure , Slander , Perseverance , and the Seven Deadly Sins . These prolix and monotonous plays cover a wide range of subjects , from the popular ...
Halaman 17
... tragedy is not difficult to account for . Tragedy exacts something from an audience ; a certain degree of seriousness or of culture must be possessed by those who are to enjoy or profit by it . Comedy , on the other hand , appeals to ...
... tragedy is not difficult to account for . Tragedy exacts something from an audience ; a certain degree of seriousness or of culture must be possessed by those who are to enjoy or profit by it . Comedy , on the other hand , appeals to ...
Istilah dan frasa umum
action actors appeared artistic authority beauty became become brought century character charm church clear close comedy complete contemporaries dealing deep drama dramatist earlier early English evidence experience expression fact feeling field figures followed force fortunes freedom friends gave genius give Hamlet hand heart Henry human humour imagination influence insight instinct interest Italy John kind King known later light lines literature lived London manner marked master material mind moral nature never noble passed passion period play poem poet poet's poetic popular presented probably Queen reason record regarded relation secured seems sense Shake Shakespeare significance Sonnets sound spirit stage story Stratford success suggested theatre thought tion touch tradition tragedy tragic turned vital whole writing written young
Bagian yang populer
Halaman 289 - The web of our life is of a mingled yarn, good and ill together : our virtues would be proud if our faults whipped them not; and our crimes would despair if they were not cherished by our virtues.
Halaman 236 - If you have tears, prepare to shed them now. You all do know this mantle : I remember The first time ever Caesar put it on : 'Twas on a summer's evening, in his tent, That day he overcame the Nervii. Look ! in this place ran Cassius...
Halaman 218 - What things have we seen Done at the Mermaid! Heard words that have been So nimble and so full of subtle flame As if that every one from whence they came Had meant to put his whole wit in a jest, And had resolved to live a fool the rest Of his dull life.
Halaman 170 - Love is not love Which alters when it alteration finds, Or bends with the remover to remove : O, no ! it is an ever-fixed mark That looks on tempests and is never shaken ; It is the star to every wandering bark, Whose worth's unknown, although his height be taken...
Halaman 169 - That time of year thou mayst in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruin'd choirs, where late the sweet birds sang. In me thou see'st the twilight of such day As after sunset fadeth in the west; Which by and by black night doth take away, Death's second self, that seals up all in rest.
Halaman 161 - My hounds are bred out of the Spartan kind, So flew'd, so sanded ; and their heads are hung With ears that sweep away the morning dew ; Crook-knee'd, and dew-lapp'd like Thessalian bulls ; Slow in pursuit, but match'd in mouth like bells, Each under each.
Halaman x - What needs my Shakespeare for his honoured bones, The labour of an age in piled stones, Or that his hallowed relics should be hid Under a star-ypointing pyramid? Dear son of memory, great heir of Fame, What need'st thou such weak witness of thy name? Thou in our wonder and astonishment Hast built thyself a livelong monument.
Halaman 154 - As the soul of Euphorbus was thought to live in Pythagoras, so the sweet witty soul of Ovid lives in mellifluous and honey-tongued Shakespeare ; witness his Venus and Adonis, his Lucrece, his sugared sonnets among his private friends, &c.
Halaman 55 - Hark, hark ! the lark at heaven's gate sings. And Phoebus gins arise, His steeds to water at those springs On chalic'd flowers that lies ; And winking Mary-buds begin To ope their golden eyes : With every thing that pretty is, My lady sweet arise ; Arise, arise ! Clo.
Halaman 167 - Two loves I have of comfort and despair, Which like two spirits do suggest me still: The better angel is a man right fair, The worser spirit a woman colour'd ill. To win me soon to hell, my female evil Tempteth my better angel from my side, And would corrupt my saint to be a devil, Wooing his purity with her foul pride.