The Works of Shakespeare, Volume 11Macmillan and Company, limited, 1900 |
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Halaman xi
... CHAPTER IV MARRIAGE AND LONDON . 59 CHAPTER V THE LONDON STAGE • 77 CHAPTER VI APPRENTICESHIP 96 CHAPTER VII The First Fruits 115 CHAPTER VIII THE POETIC PERIOD 138 CHAPTER IX PAGE THE SONNETS 162 CHAPTER X THE HISTORICAL xi.
... CHAPTER IV MARRIAGE AND LONDON . 59 CHAPTER V THE LONDON STAGE • 77 CHAPTER VI APPRENTICESHIP 96 CHAPTER VII The First Fruits 115 CHAPTER VIII THE POETIC PERIOD 138 CHAPTER IX PAGE THE SONNETS 162 CHAPTER X THE HISTORICAL xi.
Halaman xii
William Shakespeare. CHAPTER IX PAGE THE SONNETS 162 CHAPTER X THE HISTORICAL PLAYS . 180 CHAPTER XI THE COMEDIES • 197 CHAPTER XII THE APPROACH OF TRAGEDY . . 216 CHAPTER XIII THE EARLIER TRAGEDIES 232 CHAPTER XIV THE LATER TRAGEDIES ...
William Shakespeare. CHAPTER IX PAGE THE SONNETS 162 CHAPTER X THE HISTORICAL PLAYS . 180 CHAPTER XI THE COMEDIES • 197 CHAPTER XII THE APPROACH OF TRAGEDY . . 216 CHAPTER XIII THE EARLIER TRAGEDIES 232 CHAPTER XIV THE LATER TRAGEDIES ...
Halaman 106
... sonnets which of themselves would have put him in the front rank of lyric poets ; and he made important contributions to the composite and surreptitiously printed “ The Passionate Pilgrim . ” There is no probability that the date from ...
... sonnets which of themselves would have put him in the front rank of lyric poets ; and he made important contributions to the composite and surreptitiously printed “ The Passionate Pilgrim . ” There is no probability that the date from ...
Halaman 130
... sonnets and a song are introduced , not because they are necessary parts of the drama , but because they are the natural forms of expression for a young poet ; and Mr. Pater has called attention to the fact that the opening speech on ...
... sonnets and a song are introduced , not because they are necessary parts of the drama , but because they are the natural forms of expression for a young poet ; and Mr. Pater has called attention to the fact that the opening speech on ...
Halaman 138
... sonnets . The apprentice work of the young dramatist may be said to end with the creation of the “ Midsummer Night's Dream ” and “ Romeo and Juliet , ” though in neither of these beautiful dramas does his genius reach full maturity . At ...
... sonnets . The apprentice work of the young dramatist may be said to end with the creation of the “ Midsummer Night's Dream ” and “ Romeo and Juliet , ” though in neither of these beautiful dramas does his genius reach full maturity . At ...
Istilah dan frasa umum
action actors appeared artistic authority beauty became become brought century character charm church clear close comedy complete contemporaries dealing deep drama dramatist earlier early English evidence experience expression fact feeling field figures followed force fortunes freedom friends gave genius give Hamlet hand heart Henry human humour imagination influence insight instinct interest Italy John kind King known later light lines literature lived London manner marked master material mind moral nature never noble passed passion period play poem poet poet's poetic popular presented probably Queen reason record regarded relation secured seems sense Shake Shakespeare significance Sonnets sound spirit stage story Stratford success suggested theatre thought tion touch tradition tragedy tragic turned vital whole writing written young
Bagian yang populer
Halaman 289 - The web of our life is of a mingled yarn, good and ill together : our virtues would be proud if our faults whipped them not; and our crimes would despair if they were not cherished by our virtues.
Halaman 236 - If you have tears, prepare to shed them now. You all do know this mantle : I remember The first time ever Caesar put it on : 'Twas on a summer's evening, in his tent, That day he overcame the Nervii. Look ! in this place ran Cassius...
Halaman 218 - What things have we seen Done at the Mermaid! Heard words that have been So nimble and so full of subtle flame As if that every one from whence they came Had meant to put his whole wit in a jest, And had resolved to live a fool the rest Of his dull life.
Halaman 170 - Love is not love Which alters when it alteration finds, Or bends with the remover to remove : O, no ! it is an ever-fixed mark That looks on tempests and is never shaken ; It is the star to every wandering bark, Whose worth's unknown, although his height be taken...
Halaman 169 - That time of year thou mayst in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruin'd choirs, where late the sweet birds sang. In me thou see'st the twilight of such day As after sunset fadeth in the west; Which by and by black night doth take away, Death's second self, that seals up all in rest.
Halaman 161 - My hounds are bred out of the Spartan kind, So flew'd, so sanded ; and their heads are hung With ears that sweep away the morning dew ; Crook-knee'd, and dew-lapp'd like Thessalian bulls ; Slow in pursuit, but match'd in mouth like bells, Each under each.
Halaman x - What needs my Shakespeare for his honoured bones, The labour of an age in piled stones, Or that his hallowed relics should be hid Under a star-ypointing pyramid? Dear son of memory, great heir of Fame, What need'st thou such weak witness of thy name? Thou in our wonder and astonishment Hast built thyself a livelong monument.
Halaman 154 - As the soul of Euphorbus was thought to live in Pythagoras, so the sweet witty soul of Ovid lives in mellifluous and honey-tongued Shakespeare ; witness his Venus and Adonis, his Lucrece, his sugared sonnets among his private friends, &c.
Halaman 55 - Hark, hark ! the lark at heaven's gate sings. And Phoebus gins arise, His steeds to water at those springs On chalic'd flowers that lies ; And winking Mary-buds begin To ope their golden eyes : With every thing that pretty is, My lady sweet arise ; Arise, arise ! Clo.
Halaman 167 - Two loves I have of comfort and despair, Which like two spirits do suggest me still: The better angel is a man right fair, The worser spirit a woman colour'd ill. To win me soon to hell, my female evil Tempteth my better angel from my side, And would corrupt my saint to be a devil, Wooing his purity with her foul pride.