Ape House: A NovelRandom House Publishing Group, 7 Sep 2010 - 320 halaman NEW YORK TIMES BESTSELLER • A “propulsive” (Entertainment Weekly) novel “full of heart, hope, and compelling questions about who we really are” (Redbook) from the acclaimed author of At the Water’s Edge and Water for Elephants “Terrific: an incisive piece of social commentary.”—The New York Times Book Review Isabel Duncan, a scientist at the Great Ape Language Lab, doesn’t understand people, but apes she gets—especially the bonobos Sam, Bonzi, Lola, Mbongo, Jelani, and Makena, who are capable of reason and communication through American Sign Language. Isabel feels more comfortable in their world than she’s ever felt among humans—until she meets John Thigpen, a very married reporter writing a human interest feature. But when an explosion rocks the lab, John’s piece turns into the story of a lifetime—and Isabel must connect with her own kind to save her family of apes from a new form of human exploitation. |
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... breath sounds on the left.” “She has a tracheal shift. Get a line in.” “I'm in. Any crepitus?” Fingers massaged her chest. Something inside cracked and popped like bubble wrap. “Crepitus present.” Isabel tried to gasp, but succeeded ...
... breath sounds on the left.” “She has a tracheal shift. Get a line in.” “I'm in. Any crepitus?” Fingers massaged her chest. Something inside cracked and popped like bubble wrap. “Crepitus present.” Isabel tried to gasp, but succeeded ...
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... Breath sounds present. Facial and oral trauma. Head injury. Altered level of consciousness. Ready to evacuate—ETA seventeen minutes.” She let her eyes drift shut and the bees swarmed again. The world was spinning, she was nauseated ...
... Breath sounds present. Facial and oral trauma. Head injury. Altered level of consciousness. Ready to evacuate—ETA seventeen minutes.” She let her eyes drift shut and the bees swarmed again. The world was spinning, she was nauseated ...
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... breath. “Sean and I wrote a treatment for a show, and he had a pitch meeting with NBC last week. Today we got the green light. They're producing four episodes. And then, we'll see.” The room came unmoored. The ceiling swirled like ...
... breath. “Sean and I wrote a treatment for a show, and he had a pitch meeting with NBC last week. Today we got the green light. They're producing four episodes. And then, we'll see.” The room came unmoored. The ceiling swirled like ...
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Chapter 20 | |
Authors Note | |
Dedication Acknowledgments | |
About the Author | |
Discussion Questions for Ape House | |
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Istilah dan frasa umum
Amanda Ape House Ape Language Ape Trust arms asked baby bathroom began bonobos Bonzi Booger breath cage called camera can’t cap guns Cat Douglas Celia cell phone chest chimpanzees coffee corner couldn’t didn’t door edge eyes face Faulks’s feet felt finally fingers floor forward Fran front glanced glass going hadn’t hair hand he’d head human Isabel Duncan Ivanka Jawad Jelani John heard John stared John Thigpen John’s Ken Faulks kiss knew laptop laughed leaned lexigrams lips Lola looked Makena Mbongo mother mouth Nathan never nodded nose okay paused Peter Peter Benton Philadelphia Inquirer picked Pinegar pulled realized Rose she’d shook shoulder sighed smile someone sorry stood stopped sure swung talk television tell There’s they’re thing Thomas Bradshaw thought tiny took Topher turned voice waiting walked wall wasn’t watched What’s window You’re