Playing Shakespeare: An Actor's GuideKnopf Doubleday Publishing Group, 10 Nov 2010 - 288 halaman Playing Shakespeare is the premier guide to understanding and appreciating the mastery of the world’s greatest playwright. Together with Royal Shakespeare Company actors–among them Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet–John Barton demonstrates how to adapt Elizabethan theater for the modern stage. The director begins by explicating Shakespeare’s verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare’s most controversial creation, Shylock, from The Merchant of Venice. A practical and essential guide, Playing Shakespeare will stand for years as the authoritative favorite among actors, scholars, teachers, and students. |
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Halaman vii
... Verse - Heightened and Naturalistic Verse 3 Language and Character - Making the Words One's Own 4 Using the Prose - Why Does Shakespeare Use Prose ? S Set Speeches and Soliloquies Taking the Audience with You ix xiii I 3 27 56 83 106 6 ...
... Verse - Heightened and Naturalistic Verse 3 Language and Character - Making the Words One's Own 4 Using the Prose - Why Does Shakespeare Use Prose ? S Set Speeches and Soliloquies Taking the Audience with You ix xiii I 3 27 56 83 106 6 ...
Halaman x
... verse speaking . It was acting . In 1979 John and I collaborated in a way that was new to both of us ; we accepted Melvyn Bragg's invitation on behalf of London Weekend Television to make a program about the difficulties and techniques ...
... verse speaking . It was acting . In 1979 John and I collaborated in a way that was new to both of us ; we accepted Melvyn Bragg's invitation on behalf of London Weekend Television to make a program about the difficulties and techniques ...
Halaman xiv
... verse. Although there is no lack of material about all aspects of his plays and stagecraft, most actors feel that this does not really help them as actors. One of them once showed me a Shakespearean Grammar he had got hold of in the ...
... verse. Although there is no lack of material about all aspects of his plays and stagecraft, most actors feel that this does not really help them as actors. One of them once showed me a Shakespearean Grammar he had got hold of in the ...
Halaman xiv
... verse . Although there is no lack of mate- rial about all aspects of his plays and stagecraft , most actors feel that this does not really help them as actors . One of them once showed me a Shakespearean Grammar he had got hold of in ...
... verse . Although there is no lack of mate- rial about all aspects of his plays and stagecraft , most actors feel that this does not really help them as actors . One of them once showed me a Shakespearean Grammar he had got hold of in ...
Halaman xv
... verse , let him yield to its impetus , and - provided , of course , that he knows more or less what it is all about , and this sympathetic self - surrender will aid him there - Shake- speare can be counted on to carry him through ...
... verse , let him yield to its impetus , and - provided , of course , that he knows more or less what it is all about , and this sympathetic self - surrender will aid him there - Shake- speare can be counted on to carry him through ...
Isi
3 | |
27 | |
Language and CharacterMaking the Words Ones Own | 56 |
Using the ProseWhy Does Shakespeare Use Prose? | 83 |
S Set Speeches and Soliloquies Taking the Audience with You | 106 |
Using the SonnetsGoing Over Some Old Ground | 128 |
Subjective Things | 147 |
Irony and AmbiguityText That Isnt What It Seems | 149 |
Passion and CoolnessA Question of Balance | 167 |
Rehearsing the TextOrsino and Viola | 188 |
Exploring a CharacterPlaying Shylock | 211 |
Contemporary ShakespeareA Discussion | 227 |
Poetry and Hidden PoetryThree Kinds of Failure | 243 |
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Istilah dan frasa umum
actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character COSTARD course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotional example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause Peggy Ashcroft perhaps Playing Shakespeare poetic poetry PORTIA prose rehearsal rhythm Richard Pasco Roger Rees scene sense Shake Shakespeare's text Sheila Hancock Shylock soliloquy sonnet sooth I know sounds speak speare speech strong stresses talking tell theater thee there's thing thou thought Tony Church Troilus verse line verse-line VIOLA words