Playing Shakespeare: An Actor's GuideKnopf Doubleday Publishing Group, 10 Nov 2010 - 288 halaman Playing Shakespeare is the premier guide to understanding and appreciating the mastery of the world’s greatest playwright. Together with Royal Shakespeare Company actors–among them Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet–John Barton demonstrates how to adapt Elizabethan theater for the modern stage. The director begins by explicating Shakespeare’s verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare’s most controversial creation, Shylock, from The Merchant of Venice. A practical and essential guide, Playing Shakespeare will stand for years as the authoritative favorite among actors, scholars, teachers, and students. |
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Halaman 7
... be looking at . Mike Gwilym : On the other hand we all know the sort of actor who won't speak at all until he feels absolutely the inner need to do so . Huge , long pauses . By the time he's ready THE TWO TRADITIONS 7.
... be looking at . Mike Gwilym : On the other hand we all know the sort of actor who won't speak at all until he feels absolutely the inner need to do so . Huge , long pauses . By the time he's ready THE TWO TRADITIONS 7.
Halaman 8
An Actor's Guide John Barton. Huge , long pauses . By the time he's ready he's brilliant , but the audience is fast asleep . So perhaps it's good also to remember the story told of John Gielgud . When he was asked , " Now , Sir John ...
An Actor's Guide John Barton. Huge , long pauses . By the time he's ready he's brilliant , but the audience is fast asleep . So perhaps it's good also to remember the story told of John Gielgud . When he was asked , " Now , Sir John ...
Halaman 18
... pauses ) : " Your mind is ... er ... tossing on ... er ... on the ocean ... Er ... there where your argosies with ... er ... portly sail , Like ... er ... signors and ... er ... we ... rich burghers on the flood ... " Thank you , point ...
... pauses ) : " Your mind is ... er ... tossing on ... er ... on the ocean ... Er ... there where your argosies with ... er ... portly sail , Like ... er ... signors and ... er ... we ... rich burghers on the flood ... " Thank you , point ...
Halaman 34
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Halaman 35
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Isi
3 | |
27 | |
Language and CharacterMaking the Words Ones Own | 56 |
Using the ProseWhy Does Shakespeare Use Prose? | 83 |
S Set Speeches and Soliloquies Taking the Audience with You | 106 |
Using the SonnetsGoing Over Some Old Ground | 128 |
Subjective Things | 147 |
Irony and AmbiguityText That Isnt What It Seems | 149 |
Passion and CoolnessA Question of Balance | 167 |
Rehearsing the TextOrsino and Viola | 188 |
Exploring a CharacterPlaying Shylock | 211 |
Contemporary ShakespeareA Discussion | 227 |
Poetry and Hidden PoetryThree Kinds of Failure | 243 |
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Istilah dan frasa umum
actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character COSTARD course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotional example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause Peggy Ashcroft perhaps Playing Shakespeare poetic poetry PORTIA prose rehearsal rhythm Richard Pasco Roger Rees scene sense Shake Shakespeare's text Sheila Hancock Shylock soliloquy sonnet sooth I know sounds speak speare speech strong stresses talking tell theater thee there's thing thou thought Tony Church Troilus verse line verse-line VIOLA words