The Nuclear Theme As A Determinant Of Pa Tet In Javanese Music

analysis appears B.Gd balungan barang alit bonang Brandts Buys bubuka gending bubuka opaq bubuka opaq-opaq bubuka opaq-opaq B.Op cadential formula cadential support dada dasar Djawa elaboration exchange tones final gongan final note fourth kenongan function gamelan genḍing gong ageng gongan II high auxiliary scale indicates interval Jaap Kunst Java Javaansche kempul kendang kenong kenongan are identical kenongan four Kenongan three ketawang ladrang measure melodic importance melodic material melodic variety melodically sensitive modulation neighbor note nuclear theme pancher panerusan passing note patet nem pélog patet barang pélog patet lima principal fifth-interval principal scale principal tones saron second gong tone second kenongan secondary dominant Solonese STRINGENDO T3 cadence T3 formula ternary ternary form third kenongan three critical sections three gong tones three kenongan tone barang tone of melodic tone of transition tone pélog tonic and dominant tonic-dominant transcribed see appendix transcription transition tone lima transposition typical cadence wayang