The Nuclear Theme As A Determinant Of Pa Tet In Javanese Music

99 barang analysis appears B.Gd balungan bubuka gending bubuka opaq bubuka opaq-opaq bubuka opaq-opaq B.Op cadential formula cadential support dada dasar Djawa exchange tones final gongan final note fourth kenongan function gambang gangsa gamelan genḍing gongan II gulu cadence high auxiliary scale indicates interval Jaap Kunst Javanese Jogyanese kempul kendang kenong kenongan are identical kenongan four Kenongan three ketawang ladrang low auxiliary scale measure melodic importance melodic material melodic variety melodically sensitive modulation neighbor note new-scale nuclear theme pancher passing note pélog patet barang pélog patet lima principal fifth-interval principal scale principal tones saron second gong tone second kenongan secondary dominant sléndro patet sanga Solonese STRINGENDO T3 cadence T3 formula Table ternary ternary form third kenongan three critical sections three gong tones three kenongan tone barang tone of melodic tone of transition tone pélog tonic tonic and dominant tonic-dominant transcribed see appendix transposition typical cadence wayang