Adaptation and Appropriation

Sampul Depan
Routledge, 7 Mei 2007 - 200 halaman

From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. Adaptation and Appropriation explores:

  • multiple definitions and practices of adaptation and appropriation
  • the cultural and aesthetic politics behind the impulse to adapt
  • diverse ways in which contemporary literature and film adapt, revise and reimagine other works of art
  • the impact on adaptation and appropriation of theoretical movements, including structuralism, post-structuralism, postcolonialism, postmodernism, feminism and gender studies
  • the appropriation across time and across cultures of specific canonical texts, but also of literary archetypes such as myth or fairy tale.

Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film or culture.

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Introduction
1
Part 1 Definning Terms
15
1 What is Adaptation
17
2 What is Appropriation
26
Part 2 Literary Archetypes
43
Shakespearean Appropriations
45
Myth and Metamorphosis
63
5 Other Versions of Fairy Tale and Folklore
82
6 Constructing Alternative Points of View
97
7 We Other Victorians or Rethinking the Nineteenth Century
120
8 Stretching History or Appropriating the Facts
138
9 Appropriating the Arts and Sciences
147
Afterword
156
Glossary
161
Bibliography
165
Index
179

Part 3 Alternative Perspectives
95

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Tentang pengarang (2007)

Julie Sanders is Professor of English Literature and Drama at the University of Nottingham, UK. Her previous publications include Novel Shakespeares (2001), which examines contemporary adaptations of Shakespeare by women novelists.

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