Adaptation and Appropriation

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Routledge, 7 Mei 2007 - 200 halaman
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From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. Adaptation and Appropriation explores:

  • multiple definitions and practices of adaptation and appropriation
  • the cultural and aesthetic politics behind the impulse to adapt
  • diverse ways in which contemporary literature and film adapt, revise and reimagine other works of art
  • the impact on adaptation and appropriation of theoretical movements, including structuralism, post-structuralism, postcolonialism, postmodernism, feminism and gender studies
  • the appropriation across time and across cultures of specific canonical texts, but also of literary archetypes such as myth or fairy tale.

Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film or culture.

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this book is very good n helpful

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Introduction
1
Part 1 Definning Terms
15
1 What is Adaptation
17
2 What is Appropriation
26
Part 2 Literary Archetypes
43
Shakespearean Appropriations
45
Myth and Metamorphosis
63
5 Other Versions of Fairy Tale and Folklore
82
6 Constructing Alternative Points of View
97
7 We Other Victorians or Rethinking the Nineteenth Century
120
8 Stretching History or Appropriating the Facts
138
9 Appropriating the Arts and Sciences
147
Afterword
156
Glossary
161
Bibliography
165
Index
179

Part 3 Alternative Perspectives
95
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Adaptation and Appropriation
Julie Sanders
Pratinjau terbatas - 2015
Adaptation and Appropriation
Julie Sanders
Pratinjau terbatas - 2015
Adaptation and Appropriation
Julie Sanders
Pratinjau terbatas - 2007
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Istilah dan frasa umum

adaptation and appropriation allusion analogue archetypal artistic Atkinson Black Orpheus bricolage Brontė’s canonical Carey Carey’s Carter Chapter character Chaucer’s Coetzee’s contemporary context creative critical crucial Crusoe cultural Dalloway Defoe’s deployed Dickens’s dominant drama Eliot’s evoked example fairy tale Faulkner’s feminist fiction film Fowles’s French Lieutenant’s Woman Genette genre Hamlet hypotext idiom imitation intertextual invoked Jack Maggs Jane Eyre Kate Atkinson Kelly’s Last Orders literary literature Maggs’s magic realism means metafictional Metamorphoses mode modern Moulin Rouge musical musicology myth mythic narrative nineteenth-century Oates Oates’s original Orpheus’s Othello Ovid Ovidian parallel pastiche person narration plotlines postcolonial postmodern process of adaptation protagonists re-vision reader reading relationship reworking rewriting Rhys Rushdie self-consciously sexual Shakespeare Shakespeare’s play Shakespearean signifiers source text specific stage story structure suggests Susan Swift’s novel Sycorax T. S. Eliot textual theory tion twentieth century underworld variation Victorian voice Wide Sargasso Sea Woolf’s writing

Tentang pengarang (2007)

Julie Sanders is Professor of English Literature and Drama at the University of Nottingham, UK. Her previous publications include Novel Shakespeares (2001), which examines contemporary adaptations of Shakespeare by women novelists.

Informasi bibliografi

QR code for Adaptation and Appropriation
JudulAdaptation and Appropriation
The New Critical Idiom
PengarangJulie Sanders
PenerbitRoutledge, 2007
ISBN1134384971, 9781134384976
Tebal200 halaman
  
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