Legacy, Volume 3,Masalah 1Department of English, University of Massachusetts, 1986 |
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Halaman 6
... texts of writing in disguise : " In short , she uses her art both to express and to camouflage herself " ( 81 ) . Nancy Miller has pointed to female and patriarchal plots ( " Emphasis Added " 339-60 ) . Showalter has referred to an ob ...
... texts of writing in disguise : " In short , she uses her art both to express and to camouflage herself " ( 81 ) . Nancy Miller has pointed to female and patriarchal plots ( " Emphasis Added " 339-60 ) . Showalter has referred to an ob ...
Halaman 8
... texts of women — in the past decade as well as the past eight centuries- do not reflect such a purpose ( Makward 97 ) . While I find the association of the female unconscious with the preoedipal stage of primary love and identification ...
... texts of women — in the past decade as well as the past eight centuries- do not reflect such a purpose ( Makward 97 ) . While I find the association of the female unconscious with the preoedipal stage of primary love and identification ...
Halaman 46
... texts , it is made clear that the compromise of self is not good for Ellen , but , rather , is a tactic necessary for survival . The narrative interest of each of these three lives lies not with the " lady " the protagonist becomes ...
... texts , it is made clear that the compromise of self is not good for Ellen , but , rather , is a tactic necessary for survival . The narrative interest of each of these three lives lies not with the " lady " the protagonist becomes ...
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Emily Dickinson and Female Experience Suzanne Juhasz | 5 |
Dickinsons | 29 |
Emily Dickinson | 41 |
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