Legacy, Volume 3,Masalah 1Department of English, University of Massachusetts, 1986 |
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Halaman 13
... male version of the artist role , rejects it , then reinterprets it from her female perspective , finding interac- tion and reciprocity where there was tradi- tionally an active / passive dichotomy . Only after the role of the artist ...
... male version of the artist role , rejects it , then reinterprets it from her female perspective , finding interac- tion and reciprocity where there was tradi- tionally an active / passive dichotomy . Only after the role of the artist ...
Halaman 18
... male activities , Dickinson decid- ed for herself what constituted trivia and what “ firmament , ” and she also decided whether male activities deserved support or scorn . For a set of instances , consider how she used her needle ...
... male activities , Dickinson decid- ed for herself what constituted trivia and what “ firmament , ” and she also decided whether male activities deserved support or scorn . For a set of instances , consider how she used her needle ...
Halaman 25
... male figure prevailing ( however magnanimously ) and the female capitulating ( however appropriately ) . In the ... male suitor , male escort , male aristocrat , male host - and she casts herself as timid , overwhelmed female bravely ...
... male figure prevailing ( however magnanimously ) and the female capitulating ( however appropriately ) . In the ... male suitor , male escort , male aristocrat , male host - and she casts herself as timid , overwhelmed female bravely ...
Isi
Emily Dickinson and Female Experience Suzanne Juhasz | 5 |
Dickinsons | 29 |
Emily Dickinson | 41 |
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