Legacy, Volume 3,Masalah 1Department of English, University of Massachusetts, 1986 |
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Halaman 9
... final stan- za , our interpretation of the message carried by the final word , " Me , " depends upon how we hear its tone , and that in turn depends upon how we have read the poem that leads up to it . The first stanza offers a ...
... final stan- za , our interpretation of the message carried by the final word , " Me , " depends upon how we hear its tone , and that in turn depends upon how we have read the poem that leads up to it . The first stanza offers a ...
Halaman 12
... final art form , poetry itself , and the final contrast between the poet's speech , and the listener's “ ear . " But we are not perhaps prepared for the association , now , of the receptive role with passivity : enamored , impotent ...
... final art form , poetry itself , and the final contrast between the poet's speech , and the listener's “ ear . " But we are not perhaps prepared for the association , now , of the receptive role with passivity : enamored , impotent ...
Halaman 14
... final line of the poem , the final explanation , allows us to reinterpret destruction itself , this ultimate consuming , in all of its richness . For here poetry and love are explicitly equated with the sacred or divine . To ex ...
... final line of the poem , the final explanation , allows us to reinterpret destruction itself , this ultimate consuming , in all of its richness . For here poetry and love are explicitly equated with the sacred or divine . To ex ...
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Emily Dickinson and Female Experience Suzanne Juhasz | 5 |
Dickinsons | 29 |
Emily Dickinson | 41 |
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