Legacy, Volume 3,Masalah 1Department of English, University of Massachusetts, 1986 |
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Halaman 11
... audience . At the same time , however , the poem presents a profound appreciation for the poet - artist ; it concludes with the speaker imagining herself to be a poet , although of a rather peculiar sort ; and of course we can- not get ...
... audience . At the same time , however , the poem presents a profound appreciation for the poet - artist ; it concludes with the speaker imagining herself to be a poet , although of a rather peculiar sort ; and of course we can- not get ...
Halaman 12
... audience or to the artist . Or both , because by the final lines the myself who is stunned and the myself who stuns turn out to be the same per- son . Thus the crucial syntactic ambiguity may be in service of the double experience from ...
... audience or to the artist . Or both , because by the final lines the myself who is stunned and the myself who stuns turn out to be the same per- son . Thus the crucial syntactic ambiguity may be in service of the double experience from ...
Halaman 34
... audience , or as abstract as that same pronoun used in a sentence like " You take three eggs . . . " In her poems , Dickinson would have it both ways : she ad- dresses multiple audiences with the intimacy of speaking privately to a ...
... audience , or as abstract as that same pronoun used in a sentence like " You take three eggs . . . " In her poems , Dickinson would have it both ways : she ad- dresses multiple audiences with the intimacy of speaking privately to a ...
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Emily Dickinson and Female Experience Suzanne Juhasz | 5 |
Dickinsons | 29 |
Emily Dickinson | 41 |
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